In her song Deborah describes and glories over the execution of her
country's enemy. "Blessed among women shall Jael, the wife of Heber be;
with the hammer she smote Sisera; at her feet he curled up, he fell."
Exulting in every circumstance of the tragedy, she adds a description of
Sisera's mother and her ladies expecting his return as a victor laden
with spoil, and listening eagerly for the wheels of that chariot which
never again should roll through the streets of Harosheth. As to the
whole of this passage, our estimate of Deborah's knowledge and spiritual
insight does not require us to regard her praise and her judgment as
absolute. She rejoices in a deed which has crowned the great victory
over the master of nine hundred chariots, the terror of Israel; she
glories in the courage of another woman, who single-handed finished that
tyrant's career; she does not make God responsible for the deed. Let the
outburst of her enthusiastic relief stand as the expression of intense
feeling, the rebound from fear and anxiety of the patriotic heart. We
need not weight ourselves with the suspicion that the prophetess
reckoned Jael's deed the outcome of a Divine thought. No: but we may
believe this of Jael, that she is on the side of Israel, her sympathy
so far repressed by the league of her people with Jabin, yet prompting
her to use every opportunity of serving the Hebrew cause. It is clear
that if the Kenite treaty had meant very much and Jael had felt herself
bound by it, her tent would have been an asylum for the fugitive. But
she is against the enemies of Israel; her heart is with the people of
Jehovah in the battle and she is watching eagerly for signs of the
victory she desires them to win. Unexpected, startling, the sign appears
in the fleeing captain of Jabin's host, alone, looking wildly for
shelter. "Turn in, my lord; turn in." Will he enter? Will he hide
himself in a woman's tent? Then to her will be committed vengeance. It
will be an omen that the hour of Sisera's fate has come. Hospitality
itself must yield; she will break even that sacred law to do stern
justice on a coward, a tyrant, and an enemy of God.
A line of thought like this is entirely in harmony with the Arab
character. The moral ideas of the desert are rigorous, and contempt
rapidly becomes cruel. A tent woman has few elements of judgment, and,
the balance turning, her conclusion will be quick, remorseless. Jael is
no blameless heroine; neither is she a demon. Deborah, who understands
her, reads clearly the rapid thoughts, the swift decision, the
unscrupulous act and sees, behind all, the purpose of serving Israel.
Her praise of Jael is therefore with knowledge; but she herself would
not have done the thing she praises. All possible explanations made, it
remains a murder, a wild savage thing for a woman to do, and we may ask
whether among the tents of Zaanannim Jael was not looked on from that
day as a woman stained and shadowed,--one who had been treacherous to a
guest.
Public-domain text, read in full here on John Shaqi.
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