The main interest of the twofold song lies in its religious colour, for
here the pious ardour of the Israel of the judges comes to finest
expression. As a whole it is more patriotic than moral, more warlike
than religious, and thus unquestionably reflects the temper of the time.
What ideas do we find in it of the relation of Israel to God and of God
to Israel, what conceptions of the Divine character? Jehovah is invoked
and praised as the God of the Hebrews alone. He seems to have no
interest in the Canaanites, nor compassion towards them. Yet the
grandeur of the Divine forthgoing is declared in bold and striking
imagery, and the high resolves of men are clearly traced to the Spirit
of the Almighty. Duty to God is linked with duty to country, and it is
at least suggested that Israel without Jehovah is nothing and has no
right to a place among the peoples. The nation exists for the glory of
its Heavenly King, to make known His power and His righteous acts. A
strain like this in a war-song belonging to the time of Israel's
semi-barbarism bears no uncertain promise. From the well-spring out of
which it flows clear and sparkling there will come other songs, with
tenderer music and holier longing,--songs of spiritual hope and generous
desire for Messianic peace.
* * * * *
1. The first religious note is struck in what may be called the opening
Hallelujah, although the ejaculation, "Bless the Lord," is not, in
Hebrew, that which afterwards became the great refrain of sacred song.
"For that leaders led in Israel,
For that the people offered themselves willingly:
Bless ye Jehovah."
Here is more than belief in Providence. It is faith in the spiritual
presence and power of God swaying the souls of men. Has Deborah seen at
last, after long efforts to rouse the careless people, one and another
responding to her appeals and seeking her tent among the hills? Has she
witnessed the vows of the chiefs of Issachar and Zebulun that they would
not be wanting in the day of battle? Not to herself but to the God of
Israel is the new temper ascribed. Jehovah, Who touched her own heart,
has now touched many another. For years she had been aware of holier
influences than came to her from the people among whom she lived. In
secret, in the silence of the heart, she had found herself mastered by
thoughts that none around her shared. She has well accounted for them.
Jehovah has spoken to her, Jehovah caring still for His people, waiting
to redeem them from bondage. And now, when her prophetic cry finds echo
in other souls, when men who were asleep rise up and declare their
purpose, especially when from this side and that companies of brave
youths and resolute elders come to her--from the slopes of Carmel, from
the hills of Gilead--the fire of hope in their eyes, how otherwise
explain the upspringing of energy and devotion than as the work of the
Spirit that has moved her own soul? To Jehovah is all the praise.
Public-domain text, read in full here on John Shaqi.
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