How shall our lives be made thus harmonious, a spiritual poem and not a task, a chord vibrating under the musician’s hand? How shall thought and word, desire and deed, become like the blended voices of river and wind and wood, a witness for the divine? Not by mere elaboration of detail (though correctness is a condition of all true art), but by a vision before us of the divine life, the Ideal, the pattern shown to all, and equally to be imitated (strange though it may seem) by peasant and prince, by woman and sage and child. FOOTNOTES: [39] This investigation offers a fine example of the folly of that kind of interpretation which looks about for some sort of external and arbitrary resemblance, and fastens upon that as the true meaning. Nothing is more common among these expounders than to declare that the wood and gold of the ark are types of the human and Divine natures of our Lord. If either ark or mercy-seat should be compared to Him, it is obviously the latter, which speaks of mercy. But this was of pure gold. CHAPTER XXVI. _THE TABERNACLE._ xxvi. We now come to examine the structure of the tabernacle for which the most essential furniture has been prepared. Some confusion of thought exists, even among educated laymen, with regard to the arrangements of the temple; and this has led to similar confusion (to a less extent) concerning the corresponding parts of the tabernacle. “The temple” in which the Child Jesus was found, and into which Peter and John went up to pray, ought not to be confounded with that inner shrine, “the temple,” in which it was the lot of the priest Zacharias to burn incense, and into which Judas, forgetful of all its sacredness in his anguish, hurled his money to the priests (Luke ii. 46; Acts iii. 3; Luke i. 9; Matt. xxvii. 5). Now, the former of these corresponded to “the court of the tabernacle,” an enclosure open to the skies, and containing two important articles, the altar of burnt sacrifices and the laver. This was accessible to the nation, so that the sinner could lay his hand upon the head of his offering, and the priests could purify themselves before entering their own sacred place, the tabernacle proper, the shrine. But when we come to the structure itself, some attention is still necessary, in order to derive any clear notion from the description; nor can this easily be done by an English reader without substituting the Revised Version for the Authorised. He will then discover that we have a description, first of the “curtains of the tabernacle” (vers. 1–6), and then of other curtains which are not considered to belong to the tabernacle proper, but to “the tent over the tabernacle” (7–13), being no part of the rich ornamental interior, but only a protection spread above it; and over this again were two further screens from the weather (14), and finally, inside all, are “the boards of the tabernacle”—of which boards the two actual apartments were