The tabernacle being complete, the priesthood has to be provided for. Its dignity is intimated by the command to Moses to bring his brother Aaron and his sons near to himself (clearly in rank, because the object is defined, “that he may minister unto Me”), and also by the direction to make “holy garments for glory and for beauty.” But just as the furniture is treated before the shrine, and again before the courtyard, so the vestments are provided before the priesthood is itself discussed. The holiness of the raiment implies that separation to office can be expressed by official robes in the Church as well as in the state; and their glory and beauty show that God, Who has clothed His creation with splendour and with loveliness, does not dissever religious feeling from artistic expression. All that are wise-hearted in such work, being inspired by God as really, though not as profoundly, as if their task were to foretell the advent of Messiah, are to unite their labours upon these garments. The order in the twenty-eighth chapter is perhaps that of their visible importance. But it will be clearer to describe them in the order in which they were put on. Next the flesh all the priests were clad from the loins to the thighs in close-fitting linen: the indecency of many pagan rituals must be far from them, and this was a perpetual ordinance, “that they bear not iniquity and die” (xxviii. 42–3). Over this was a tight-fitting “coat” (a shirt rather) of fine linen, white, but woven in a chequered pattern, without seam, like the robe of Jesus, and bound together with a girdle (39–43). These garments were common to all the priests; but their “head-tires” differed from the impressive mitre of the high priest. The rest of the vestments in this chapter belong to him alone. Over the “coat” he wore the flowing “robe of the ephod,” all blue, little seen from the waist up, but uncovered thence to the feet, and surrounded at the hem with golden pomegranates, the emblem of fruitfulness, and with bells to enable the worshippers outside to follow the movements of their representative. He should die if this expression of his vicarious function were neglected (31–35). Above this robe was the ephod itself—a kind of gorgeous jacket, made in two pieces which were joined at the shoulders, and bound together at the waist by a cunningly woven band, which was of the same piece. This ephod, like the curtains of the tabernacle, was of blue and purple and scarlet and fine-twined linen; but added to these were threads of gold, and we read, as if this were a novelty which needed to be explained, that they beat the gold into thin plates and then cut it into threads (xxxix. 3, xxviii. 6–8).