The Expositor's Bible: The Book of EzekielSkinner, John
Religion
The Expositor's Bible: The Book of Ezekiel
Skinner, John
Bible. Ezekiel -- Commentaries
There are three features of the state of things in Jerusalem in which the
prophet recognises the symptoms of an incurable social condition. The
first is the loss of a true conception of God. In ancient Israel this
defect necessarily assumed the form of idolatry. Hence the multiplication
of idols appropriately finds a place among the marks of the “uncleanness”
which made Jerusalem hateful in the eyes of Jehovah (ver. 3). But the root
of idolatry in Israel was the incapacity or the unwillingness of the
people to live up to the lofty conception of the divine nature which was
taught by the prophets. Throughout the ancient world religion was felt to
be the indispensable bond of society, and the gods that were worshipped
reflected more or less fully the ideals that swayed the life of the
community. To Israel the religion of Jehovah represented the highest
social ideal that was then known on earth. It meant righteousness, and
purity, and brotherhood, and compassion for the poor and distressed. When
these virtues decayed she forgot Jehovah (ver. 12)—forgot His character
even if she remembered His name—and the service of false gods was the
natural and obvious expression of the fact. There is therefore a profound
truth in Ezekiel’s mind when he numbers the idols of Jerusalem amongst the
indications of a degenerate society. They were the evidence that she had
lost the sense of God as a holy and righteous spiritual presence in her
midst, and that loss was at once the source and the symptom of widespread
moral declension. It is one of the chief lessons of the Old Testament that
a religion which was neither the product of national genius nor the
embodiment of national aspiration, but was based on supernatural
revelation, proved itself in the history of Israel to be the only possible
safeguard against the tendencies which made for social disintegration.
Public-domain text, read in full here on John Shaqi.
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