transition is to be explained by the idea of the heavenly constellation of the dragon, answering to the dragon of the Nile, to which Egypt had just been likened.(114) Finally all metaphors are abandoned, and the desolation of Egypt is announced in literal terms as accomplished by the sword of the king of Babylon and the “most terrible of the nations” (vv. 11‐16). But all the foregoing oracles are surpassed in grandeur of conception by the remarkable Vision of Hades which concludes the series—“one of the most weird passages in literature” (Davidson). In form it is a dirge supposed to be sung at the burial of Pharaoh and his host by the prophet along with the daughters of famous nations (ver. 18). But the theme, as has been already observed, is the entrance of the deceased warriors into the under‐ world, and their reception by the shades that have gone down thither before them. In order to understand it we must bear in mind some features of the conception of the under‐world, which it is difficult for the modern mind to realise distinctly. First of all, Sheôl or the “pit,” the realm of the dead, is pictured to the imagination as an adumbration of the grave or sepulchre, in which the body finds its last resting‐place; or rather it is the aggregate of all the burying‐grounds scattered over the earth’s surface. There the shades are grouped according to their clans and nationalities, just as on earth the members of the same family would usually be interred in one burying‐place. The grave of the chief or king, the representative of the nation, is surrounded by those of his vassals and subjects, earthly distinctions being thus far preserved. The condition of the dead appears to be one of rest or sleep; yet they retain some consciousness of their state, and are visited at least by transient gleams of human emotion, as when in this chapter the heroes rouse themselves to address the Pharaoh when he comes among them. The most material point is that the state of the soul in Hades reflects the fate of the body after death. Those who have received the honour of decent burial on earth enjoy a corresponding honour among the shades below. They have as it were a definite status and individuality in their eternal abode, whilst the spirits of the unburied slain are laid in the lowest recesses of the pit, in the limbo of the uncircumcised. On this distinction the whole significance of the passage before us seems to depend. The dead are divided into two great classes: on the one hand the “mighty ones,” who lie in state with their weapons of war around them; and on the other hand the multitude of “the uncircumcised,(115) slain by the sword”—_i.e._, those who have perished on the field of battle and been buried promiscuously without due funereal rites.(116) There is, however, no moral distinction between the two classes. The heroes are not in a state of blessedness; nor is the condition of the uncircumcised one of acute suffering. The whole of