The Expositor's Bible: The Book of EzekielSkinner, John
Religion
The Expositor's Bible: The Book of Ezekiel
Skinner, John
Bible. Ezekiel -- Commentaries
The second scene is the only one of the four which represents a secret
cult. Partly perhaps for that reason it strikes our minds as the most
repulsive of all; but that was obviously not Ezekiel’s estimate of it.
There are greater abominations to follow. It is difficult to understand
the particulars of Ezekiel’s description, especially in the Hebrew text
(the LXX. is simpler); but it seems impossible to escape the impression
that there was something obscene in a worship where idolatry appears as
ashamed of itself. The essential fact, however, is that the very highest
and most influential men in the land were addicted to a form of
heathenism, whose objects of worship were pictures of “horrid creeping
things, and cattle, and all the gods of the house of Israel.” The name of
one of these men, the leader in this superstition, is given, and is
significant of the state of life in Jerusalem shortly before its fall.
Jaazaniah was the son of Shaphan, who is probably identical with the
chancellor of Josiah’s reign whose sympathy with the prophetic teaching
was evinced by his zeal in the cause of reform. We read of other members
of the family who were faithful to the national religion, such as his son
Ahikam, also a zealous reformer, and his grandson Gedaliah, Jeremiah’s
friend and patron, and the governor appointed over Judah by Nebuchadnezzar
after the taking of the city. The family was thus divided both in religion
and politics. While one branch was devoted to the worship of Jehovah and
favoured submission to the king of Babylon, Jaazaniah belonged to the
opposite party and was the ringleader in a peculiarly obnoxious form of
idolatry.(27)
The third “abomination” is a form of idolatry widely diffused over Western
Asia—the annual mourning for Tammuz. Tammuz was originally a Babylonian
deity (Dumuzi), but his worship is specially identified with Phœnicia,
whence under the name Adonis it was introduced into Greece. The mourning
celebrates the death of the god, which is an emblem of the decay of the
earth’s productive powers, whether due to the scorching heat of the sun or
to the cold of winter. It seems to have been a comparatively harmless rite
of nature‐religion, and its popularity among the women of Jerusalem at
this time may be due to the prevailing mood of despondency which found
vent in the sympathetic contemplation of that aspect of nature which most
suggests decay and death.
Public-domain text, read in full here on John Shaqi.
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