The Expositor's Bible: The Book of JoshuaBlaikie, William Garden
Religion
The Expositor's Bible: The Book of Joshua
Blaikie, William Garden
Bible. Joshua -- Commentaries
It is to be especially remarked that God took into His own hands the
prescription of the method by which this great event was to be
commemorated. It seems as if He could not trust the people to do it in
a way that would be free from objection and from evil tendency. It was
assumed that the event was worthy of special commemoration. True,
indeed, there had been no special commemoration of the passage of the
sea, but then the Passover was instituted so near to that event that
it might serve as a memorial of it as well as of the protection of the
Israelites when the firstborn of the Egyptians was slain. And
generally the people had been taught, what their own hearts in some
degree recognised, that great mercies should be specially
commemorated. The Divine method of commemorating the drying up of the
Jordan was a very simple one. In the first place, twelve men were
selected, one from every tribe, to do the prescribed work. The
democratic constitution of the nation was recognised--each tribe was
to take part in it; and as it was a matter in which all were
concerned, each person was to take part in the election of the
representative of his tribe. Then each of these twelve representatives
was to take from the bed of the river, from the place where the
priests had stood with the ark, a stone, probably as large as he could
carry. The twelve stones were to be carried to the place where the
host lodged that night, and to be erected as a standing memorial of
the miracle. It was a very simple memorial, but it was all that was
needed. It was not like the proud temples or glorious pyramids of
Egypt, reared as these were to give glory to man more than to God. It
was like Jacob's pillar before, or Samuel's Ebenezer afterwards; void
of every ornament or marking that could magnify man, and designed for
one single purpose--to recall the goodness of God.
Public-domain text, read in full here on John Shaqi.
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