The Expositor's Bible: The Book of ProverbsHorton, Robert F. (Robert Forman)
Religion
The Expositor's Bible: The Book of Proverbs
Horton, Robert F. (Robert Forman)
Bible. Proverbs -- Commentaries
The woman has come out to meet him--like a bird-catcher who has been
watching for the unwary bird. Now he should escape at once, for her
very attire warns him of her intentions. But this is just his
weakness; he delights to place himself in such a position; he would
say that it is the proof of his manliness that he can resist. She
approaches him with a smirk and a smile, with an open countenance but
a closed heart. She utters a sound, moving and pathetic like the
murmur of harp-strings;[114] it comes from that inward tumult of
passion in the woman's nature which always flutters the heart of a
weak youth.[115] She is a wild undisciplined creature; she always
hankers after the forbidden; the quiet home ways are insufferable to
her; out in the streets, with their excitement, their variety, their
suggestions, their possibilities, she forgets, if she does not quiet,
her restlessness. The poor woman-nature which, rightly taught and
trained, might make the beauty and sweetness of a home, capable of
sanctified affections and of self-sacrificing devotion, is here
entirely perverted. The passion is poisoned and now poisonous. The
energy is diseased. The charms are all spurious. She goes abroad in
the blackness of night because in even a faint light her hideousness
would appear; under the paint and the finery she is a hag; her eyes
are lustreless but for the temporary fire of her corruptions; behind
that voice which croons and ripples there is a subdued moan of
despair--the jarring of harp-strings which snap and quiver and
shudder and are silent for ever. The wise man looks at her with
compassionate loathing, God with pity which yearns to save; but this
foolish youth is moved by her as only a fool could be moved. His weak
understanding is immediately overcome by her flatteries; his polluted
heart does not perceive the poison of her heartless endearments.
She throws her arms round him and kisses him, and he makes no question
that it is a tribute to the personal attractions which he has himself
often admired in his mirror. She would have him believe that it was he
whom she had come out specially to seek, though it would have been
just the same whoever had caught her eye; and he, deceived by his own
vanity, at once believes her. She has a great deal to say; she does
not rely on one inducement, for she does not know with whom she has to
do; she pours out therefore all her allurements in succession without
stopping to take breath.
Public-domain text, read in full here on John Shaqi.
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