It is not surprising that divers interpretations have been put upon this troubled tale. The words which introduce it are so startling that very many have held it to be an allegory, or parable, invented by the prophet to illustrate, by familiar human figures, what was at that period the still difficult conception of the Love of God for sinful men. But to this well-intended argument there are insuperable objections. It implies that Hosea had first awakened to the relations of Jehovah and Israel--He faithful and full of affection, she unfaithful and thankless--and that then, in order to illustrate the relations, he had invented the story. To that we have an adequate reply. In the first place, though it were possible, it is extremely improbable, that such a man should have invented such a tale about his wife, or, if he was unmarried, about himself. But, in the second place, he says expressly that his domestic experience was the _beginning of Jehovah's word to him_. That is, he passed through it first, and only afterwards, with the sympathy and insight thus acquired, he came to appreciate Jehovah's relation to Israel. Finally, the style betrays narrative rather than parable. The simple facts are told; there is an absence of elaboration; there is no effort to make every detail symbolic; the names Gomer and Diblaim are apparently those of real persons; every attempt to attach a symbolic value to them has failed. She was, therefore, no dream, this woman, but flesh and blood: the sorrow, the despair, the sphinx of the prophet's life; yet a sphinx who in the end yielded her riddle to love.