As in their heathen days they were used to “speak to each other,” in festive or solemn hours, with hymns to Artemis of the Ephesians, or Dionysus giver of the vine, or to Persephoné sad queen of the dead--in songs merry and gay, too often loose and wanton; in songs of the dark underworld and the grim Furies and inexorable Fate, that told how life fleets fast and we must pluck its pleasures while we may;--so now the Christians of Ephesus and Colossæ, of Pergamum and of Smyrna would sing of the universal Father whose presence fills earth and sky, of the Son of His love, His image amongst men, who died in sacrifice for their sins and asked grace for His murderers, of the joys of forgiveness and the cleansed heart, of life eternal and the treasure laid up for the just in the heavenly places, of Christ’s return in glory and the judgement of the nations and the world quickly to dissolve and perish, of a brotherhood dearer than earthly kindred, of the saints who sleep in Jesus and in peace await His coming, of the Good Shepherd who feeds His sheep and leads them to fountains of living water calling each by his name, of creation redeemed and glorified by His love, of pain and sorrow sanctified and the trials that make perfect in Christ’s discipline, of the joy that fills the heart in suffering for Him, and the vision of His face awaiting us beyond the grave. So reciting and chanting--now in single voice, now in full chorus--singing the Psalms of David to their Greek music, or hymns composed by their leaders, or sometimes improvised in the rapture of the moment, the Churches of Ephesus and of the Asian cities lauded and glorified “the name of our Lord Jesus Christ” and the counsels of redeeming love. So their worship and fellowship were filled with gladness. Thus in their great Church meetings, and in smaller companies, many a joyous hour passed; and all hearts were cheered and strengthened in the Lord. “Singing and _playing_,” says the apostle. For music aided song; voice and instrument blended in His praise whose glory claims the tribute of all creatures. But it was “with the heart,” even more than with voice or tuneful strings, that melody was made. For this inward music the Lord listens. Where other skill is wanting and neither voice nor hand can take its part in the concert of praise, He hears the silent gratitude, the humble joy that wells upward when the lips are still or the full heart cannot find expression.