The materials already provided were of priceless value. David had consecrated to God the spoils which he had won from conquered kings. We must reject, as the exaggerations of national vanity, the monstrous numbers which now stand in the text of the chronicler; but a king whose court was simple and inexpensive was quite able to amass treasures of gold and silver, brass and iron, precious marbles and onyx stones. Solomon had only to add to these sacred stores.[238] He inherited the friendship which David had enjoyed, with Hiram, King of Tyre, who, according to the strange phrase of the Vatican Septuagint, sent his servants "to anoint" Solomon. The friendliest overtures passed between the two kings in letters, to which Josephus appeals as still extant. A commercial treaty was made by which Solomon engaged to furnish the Tyrian king with annual revenues of wheat, barley, and oil,[239] and Hiram put at Solomon's disposal the skilled labour of an army of Sidonian wood-cutters and artisans.[240] The huge trunks of cedar and cypress were sent rushing down the heights of Lebanon by schlittage, and laboriously dragged by road or river to the shore. There they were constructed into immense rafts, which were floated a hundred miles along the coast to Joppa, where they were again dragged with enormous toil for thirty-five miles up the steep and rocky roads to Jerusalem. For more than twenty years, while Solomon was building the Temple and his various royal constructions, Jerusalem became a hive of ceaseless and varied industry. Its ordinary inhabitants must have been swelled by an army of Canaanite serfs and Phœnician artisans to whom residences were assigned in Ophel. There lived the hewers and bevellers of stone; the cedar-cutters of Gebal or Biblos;[241] the cunning workmen in gold or brass; the bronze-casters who made their moulds in the clay ground of the Jordan valley; the carvers and engravers; the dyers who stained wool with the purple of the murex, and the scarlet dye of the trumpet fish; the weavers and embroiderers of fine linen. Every class of labourer was put into requisition, from the descendants of the Gibeonite _Nethinim_, who were rough hewers of wood and drawers of water, to the trained artificers whose beautiful productions were the wonder of the world. The "father," or master-workman, of the whole community was a half-caste, who also bore the name of Hiram, and was the son of a woman of Naphtali by a Tyrian father.[242]