The Expositor's Bible: The First Book of KingsFarrar, F. W. (Frederic William)
Religion
The Expositor's Bible: The First Book of Kings
Farrar, F. W. (Frederic William)
Bible. Kings, 1st -- Commentaries
2. Maritime allusions now began to appear in Hebrew literature;[385]
and maritime enterprise produced the marvellous effect it always
produces on the character and progress of the nation. Along the black
basalt roads--the king's highways--of which the construction was
necessitated by the outburst of commercial activity flocked hundreds
of foreign visitors, not only merchantmen and itinerant traffickers,
but governors of provinces, and vassal or allied princes. The
isolated and stationary tribes of Palestine suddenly found themselves
face to face with a new and splendid civilisation. Admiring visitors
flocked to see the great king's magnificence and to admire his
foreign curiosities, bringing with them presents of gold and silver,
armour[386] and spicery, horses and mules, the broidered garments of
Babylon, and robes rich with the crimson, purple, and scarlet dyes
of Tyre.[387] Instead of riding like his predecessors on a humble
mule, the king made his royal progress to his watered garden at Etam
drawn by steeds magnificently caparisoned. He reclined in "Pharaoh's
chariot" richly chased and brilliantly coloured. He was followed by
a train of archers riding on war-horses and clothed in purple, and
was escorted by a body-guard of youths tall and beautiful, whose dark
and flowing locks glittered with gold dust. In the heat of summer,
if we may accept the poetic picture of the Song of Songs, he would
be luxuriously carried to some delicious retreat amid the hills of
myrrh and leopard-haunted woods of Lebanon, in a palanquin of cedar
wood with silver pillars, purple cushions, and richly embroidered
curtains, wearing the jewelled crown which his mother placed on his
head on the day of his espousals.[388] Or he would sit to do justice
on his throne of ivory and gold,[389] with its steps guarded by
golded lions leaning upon the golden bull of Ephraim which formed its
back,[390] in all his princely beauty, "anointed with the oil of
gladness," his lips full of grace, his garments breathing of perfume.
On great occasions of state his Queen, and the virgins that bore
her company, would stand among the crowd of inferior princesses, in
garments of the wrought gold of Ophir, in which she had been carried
from the inner palace upon tapestries of needlework. In the pomp of
such ceremonials, amid bursts of rejoicing melody, the people began
to believe that not even the Pharaohs of Egypt, or the Tyrian kings
with "every precious stone as their covering," could show a more
glorious pageant of royal state.[391]
Public-domain text, read in full here on John Shaqi.
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