We know that there were legends connecting Michael and the evil one with the death of Moses. We know that _The Assumption of Moses_ contained similar material. Above all, we know that the incident mentioned by St. Jude is not in the canonical Scriptures, and therefore must have come from some apocryphal source, and that elsewhere in his Epistle St. Jude makes use of apocryphal literature. We are not, therefore, creating a difficulty by adopting the all but certain conclusion that this apocryphal work is the source from which St. Jude draws. Even if we reject this highly probable conclusion, the difficulty, such as it is, will still remain. That _The Assumption of Moses_ was written before our Epistle is almost universally admitted. Philippi is almost alone in thinking that its author was a Christian, and that he borrowed from St. Jude. Ewald, Dillmann, Drummond, Schürer, and Wiesler place it between B.C. 4 (the year of the war of Quintilius Varus, to which it almost certainly refers) and A.D. 6. Hilgenfeld, Merx, Fritzsche, and Lucius place it at different points between A.D. 44 and 70. But the earlier date is the more probable. The large fragment in Latin which we now possess was evidently made from a Greek document, and Hilgenfeld has attempted to restore the Greek from the Latin. But this Greek document may itself have been a translation from the Aramaic. In either case St. Jude would be able to read it.[123] That any true tradition on the subject should have been handed down orally through fifteen centuries, "_without leaving the slightest trace in a single passage in the Old Testament_," is utterly improbable. This hypothesis, and the still more violent supposition of a special revelation made to St. Jude, are devices prompted by a reverent spirit, but thoroughly uncritical and untenable, to avoid the unwelcome conclusion that an inspired writer has quoted legendary material. Have we any right to assume that inspiration raises a writer to the intellectual position of a critical historian, with power to discriminate between legend and fact? St. Jude probably believed the story about the dispute between Michael and Satan to be true; but even if he knew it to be a myth, he might nevertheless readily use it as an illustrative argument, seeing that it was so familiar to his readers. If an inspired writer were living now, would it be quite incredible that he should make use of Dante's _Purgatory_, or Shakespeare's _King Lear_? Inspiration certainly does not preserve those who possess it from imperfect grammar, and we cannot be certain that it preserves them from other imperfections which have nothing to do with the truth that saves souls. Besides which, it may be merely our prejudices which lead us to regard the use of legendary material as an imperfection. Let us reverently examine the features which inspired writings actually present to us, not hastily determine beforehand what properties they _ought_ to possess.