The Expositor's Bible: The Prophecies of Jeremiah: With a Sketch of His Life and TimesBall, C. J. (Charles James)
Religion
The Expositor's Bible: The Prophecies of Jeremiah: With a Sketch of His Life and Times
Ball, C. J. (Charles James)
Bible. Jeremiah -- Commentaries
The individual members of the nation, of all ranks and classes, are
compared to earthenware jars, not "skins," as the LXX. gives it, for
they are to be _dashed in pieces_, "like a potter's vessel" (Ps. ii. 9;
cf. ver. 14).[54] Regarding them all as ripe for destruction, Jeremiah
exclaims, "Every jar is filled with wine," in the ordinary course
of things; that is its destiny. His hearers answer with the mocking
question, "Do you suppose that we don't know that?" They would, of
course, be aware that a prophet's figure, however homely, covered an
inner meaning of serious import; but derision was their favourite retort
against unpopular truths (xvii. 15, xx. 7, 8). They would take it for
granted that the thing suggested was unfavourable, from their past
experience of Jeremiah. Their ill-timed banter is met by the instant
application of the figure. They, and _the kings_ then sitting on David's
throne, _i.e._, the young Jehoiachin and the queen-mother Nehushta (who
probably had all the authority if not the title of a regent), and the
priests and prophets who fatally misled them by false teachings and
false counsels, are the wine-jars intended, and the wine that is to fill
them is the wine of the wrath of God (Ps. lxxv. 8; Jer. xxv. 15; cf.
li. 7; Rev. xvi. 19; Isa. xix. 14, 15). The effect is intoxication--a
fatal bewilderment, a helpless lack of decision, an utter confusion
and stupefaction of the faculties of wisdom and foresight, in the very
moment of supreme peril (cf. Isa. xxviii. 7; Ps. lx. 5). Like drunkards,
they will reel against and overthrow each other. The strong term _I will
dash them in pieces_ is used, to indicate the deadly nature of their
fall, and because the prophet has still in his mind the figure of the
wine-jars, which were probably amphoræ, pointed at the end, like those
depicted in Egyptian mural paintings, so that they could not stand
upright without support. By their fall they are to be utterly "marred"
(the term used of the girdle, ver. 9).
Public-domain text, read in full here on John Shaqi.
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