The Expositor's Bible: The Psalms, Vol. 1: Psalms I.-XXXVIII.Maclaren, Alexander
Religion
The Expositor's Bible: The Psalms, Vol. 1: Psalms I.-XXXVIII.
Maclaren, Alexander
Bible. Psalms -- Commentaries
The investigations as to authorship and date yield the usual
conflicting results. Davidic, say one school; undoubtedly post-exilic,
say another, without venturing on closer definition; late in the
Persian period, says Cheyne. Perhaps we may content ourselves with the
modest judgment of Baethgen in his last book ("Handcommentar," 1892,
p. 45): "The date of composition cannot be decided by internal
indications." The background is the familiar one of causeless foes
round an innocent sufferer, who flings himself into God's arms for
safety, and in prayer enters into peace and hope. He is, no doubt, a
representative of the _Ecclesia pressa_; but he is so just because his
cry is intensely personal. The experience of one is the type for all,
and a poet's prerogative is to cast his most thoroughly individual
emotions into words that fit the universal heart. The psalm is called
a "prayer," a title given to only four other psalms, none of which are
in the First Book. It has three movements, marked by the repetition of
the name of God, which does not appear elsewhere, except in the
doubtful verse 14. These three are vv. 1-5, in which the cry for help
is founded on a strong profession of innocence; vv. 6-12, in which it
is based on a vivid description of the enemies; and vv. 13-15, in
which it soars into the pure air of mystic devotion, and thence looks
down on the transient prosperity of the foe and upwards, in a rapture
of hope, to the face of God.
The petition proper, in vv. 1, 2, and its ground, are both strongly
marked by conscious innocence, and therefore sound strange to our
ears, trained as we have been by the New Testament to deeper insight
into sin. This sufferer asks God to "hear righteousness," _i.e._ his
righteous cause. He pleads the _bona fides_ of his prayer, the fervour
of which is marked by its designation as "my _cry_," the high-pitched
note usually the expression of joy, but here of sore need and strong
desire. Boldly he asks for his "sentence from Thy face," and the
ground of that petition is that "Thine eyes behold rightly." Was
there, then, no inner baseness that should have toned down such
confidence? Was this prayer not much the same as the Pharisee's in
Christ's parable? The answer is partly found in the considerations
that the innocence professed is specially in regard to the occasions
of the psalmist's present distress, and that the acquittal by
deliverance which he asks is God's testimony that as to these he was
slandered and clear. But, further, the strong professions of
heart-cleanness and outward obedience which follow are not so much
denials of any sin as avowals of sincere devotion and honest
submission of life to God's law. They are "the answer of a good
conscience towards God," expressed, indeed, more absolutely than
befits Christian consciousness, but having nothing in common with
Pharisaic self-complacency. The modern type of religion which recoils
from such professions, and contents itself with always confessing sins
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