The Expositor's Bible: The Psalms, Vol. 1: Psalms I.-XXXVIII.Maclaren, Alexander
Religion
The Expositor's Bible: The Psalms, Vol. 1: Psalms I.-XXXVIII.
Maclaren, Alexander
Bible. Psalms -- Commentaries
The phenomena of a thunderstorm are the substratum of the grand
description of Jehovah's delivering self-manifestation. The garb is
lofty poetry; but a definite fact lies beneath, namely some
deliverance in which the psalmist saw Jehovah's coming in storm and
lightning flash to destroy, and therefore to save. Faith sees more
truly because more deeply than sense. What would have appeared to an
ordinary looker-on as merely a remarkable escape was to its subject
the manifestation of a present God. Which eye sees the "things that
are,"--that which is cognisant only of a concatenation of events, or
that which discerns a Person directing these? The cry of this hunted
man has for first effect the kindling of the Divine "wrath," which is
represented as flaming into action in the tremendous imagery of vv. 7
and 8. The description of the storm in which God comes to help the
suppliant does not begin with these verses, as is commonly understood.
The Divine power is not in motion yet, but is, as it were, gathering
itself up for action. The complaining prayer is boldly treated as
bringing to God's knowledge His servant's straits, and the knowledge
as moving Him to wrath towards the enemies of one who takes shelter
beneath His wings. "What have I here that my"--servant is thus
bestead? saith the Lord. The poet can venture to paint a picture with
the pen, which the painter dare not attempt with the pencil. The anger
of Jehovah is described in words of singular daring, as rising like
smoke from His nostrils and pouring in fire from His lips, from which
blazing brands issue. No wonder that the earth reels even to the roots
of the mountains, as unable to endure that wrath! The frank
anthropomorphism of the picture, of which the features are taken from
the hard breathing of an angry man or animal (compare Job's crocodile
in Job xli. 10-13), and the underlying conception are equally
offensive to many; but as for the former, the more "gross" the
humanising of the picture, the less likely is it to be mistaken for
prose fact, and the more easy to apprehend as symbol: and as for the
latter, the New Testament endorses the conception of the "wrath of
God," and bids us take heed lest, if we cast it away, we maim His
love. This same psalm hymns Jehovah's "gentleness"; and the more
deeply His love is apprehended, the more surely will His wrath be
discerned as its necessary accompaniment. The dark orb and its radiant
sister move round a common centre.
Thus kindled, God's wrath flashes into action, as is wonderfully
painted in that great storm piece in vv. 9-15. The stages of a violent
thunder tempest are painted with unsurpassable force and brevity.
First we see the low clouds: far nearer the trembling earth than the
hidden blue was, and seeming to press down with leaden weight, their
boding blackness is above us; but
"Whose foot shall we see emerge,
Whose from the straining topmost dark?"
Public-domain text, read in full here on John Shaqi.
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