The Expositor's Bible: The Psalms, Vol. 1: Psalms I.-XXXVIII.Maclaren, Alexander
Religion
The Expositor's Bible: The Psalms, Vol. 1: Psalms I.-XXXVIII.
Maclaren, Alexander
Bible. Psalms -- Commentaries
4 the thought of the great voices returns. "Their
line" is usually explained as meaning their sphere of influence,
marked out, as it were, by a measuring cord. If that rendering is
adopted, ver. 4 _b_ would in effect say, "Their words go as far as
their realm." Or the rendering "sound" may be deduced, though somewhat
precariously, from that of _line_, since a line stretched is musical.
But the word is not used as meaning the string of an instrument, and
the very slight conjectural emendation which gives "voice" instead of
"line" has much to recommend it. In any case the teaching of the verse
is plain from the last clause, namely the universality of the
revelation. It is singular that the mention of the sun should come in
the close of the verse; and there may be some error in the text,
though the introduction of the sun here may be explained as completing
the picture of the heavens, of which it is the crowning glory. Then
follows the fuller delineation of his joyous energy, of his swift
strength in his course, of his penetrating beams, illuminating and
warming all. Why should the glowing metaphors, so natural and
vigorous, of the sun coming forth from his bridal chamber and,
hero-like, running his race, be taken to be traces of ancient myths
now innocently reclaimed from the service of superstition? To find in
these two images a proof that the first part of the psalm belongs to
the post-exilic "literary revival of Hebrew mythology" is surely to
lay more on them than they can bear.
The scientific contemplation of nature is wholly absent from
Scripture, and the picturesque is very rare. This psalmist knew
nothing about solar spectra or stellar distances, but he heard a voice
from out of the else waste heavens which sounded to him as if it named
God. Comte ventured to say that the heavens declare the glory of the
astronomer, not of God; but, if there be an order in them, which it is
a man's glory to discover, must there not be a mind behind the order,
and must not the Maker have more glory than the investigator? The
psalmist is protesting against stellar worship, which some of his
neighbours practised. The sun was a creature, not a god; his "race"
was marked out by the same hand which in depths beyond the visible
heavens had pitched a "tent" for his nightly rest. We smile at the
simple astronomy; the religious depth is as deep as ever. Dull ears do
not hear these voices; but whether they are stopped with the clay of
earthly tastes and occupations, or stuffed with scientific wadding of
the most modern kind, the ears that do not hear God's name sounded
from the abysses above, have failed to hear the only word which can
make man feel at home in nature. Carlyle said that the sky was "a sad
sicht." The sadness and awfulness are taken away when we hear the
heavens telling the glory of God. The unscientific psalmist who did
hear them was nearer the very heart of the mystery than the scientist
who knows everything else about them but that.
Public-domain text, read in full here on John Shaqi.
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