The Expositor's Bible: The Psalms, Vol. 1: Psalms I.-XXXVIII.Maclaren, Alexander
Religion
The Expositor's Bible: The Psalms, Vol. 1: Psalms I.-XXXVIII.
Maclaren, Alexander
Bible. Psalms -- Commentaries
The psalm has traces of the alternation of chorus and solo. The nation
or army first pours out its united prayer for victory in vv. 1-5, and is
succeeded by a single voice (possibly that of the officiating priest or
the king himself) in ver. 6, expressing confidence that the prayer is
answered, which, again, is followed by the closing chorus of many voices
throbbing with the assurance of victory before a blow is struck, and
sending one more long-drawn cry to God ere battle is joined.
The prayer in vv. 1-5 breathes self-distrust and confidence in
Jehovah, the temper which brings victory, not only to Israel, but to
all fighters for God. Here is no boasting of former victories, nor of
man's bravery and strength, nor of a captain's skill. One name is
invoked. It alone rouses courage and pledges triumph. "The name of the
God of Jacob set thee on high." That name is almost regarded as a
person, as is often the case. Attributes and acts are ascribed to it
which properly belong to the Unnameable whom it names, as if with some
dim inkling that the agent of revealing a person must be a person. The
name is the revealed character, which is contemplated as having
existence in some sense apart from Him whose character it is.
Possibly there is a reference to Gen. xxxv. 3, where Jacob speaks of
"the God who answered me in the day of my distress." That ancient
instance of His power to hear and help may have floated before the
singer's mind as heartening faith for this day of battle. To "set on
high" is a familiar natural figure for deliverance. The earthly
sanctuary is Jehovah's throne; and all real help must come thence, of
which help His dwelling there is a pledge. So in these two verses the
extremity of need, the history of past revelation, and the special
relation of Jehovah to Israel are woven into the people's prayer for
their king. In vv. 3, 4, they add the incense of their intercession to
his sacrifices. The background of the psalm is probably the altar on
which the accustomed offerings before a battle were being presented (1
Sam. xiii. 9). The prayer for acceptance of the burnt offering is very
graphic, since the word rendered "accept" is literally "esteem fat."
Public-domain text, read in full here on John Shaqi.
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