The Expositor's Bible: The Psalms, Vol. 1: Psalms I.-XXXVIII.Maclaren, Alexander
Religion
The Expositor's Bible: The Psalms, Vol. 1: Psalms I.-XXXVIII.
Maclaren, Alexander
Bible. Psalms -- Commentaries
We now come to two strophes of two verses each (vv. 12-15), of which the
former describes the encircling foes and the latter the psalmist's
failure of vital power. The metaphor of raging wild animals recurs in
later verses, and is common to many psalms. Bashan was a land of
pastures over which herds of half wild cattle roamed. They "have
surrounded me" is a picturesque touch, drawn direct from life, as any
one knows who has ever found himself in the midst of such a herd. The
gaping mouth is rather characteristic of the lion than of the bull. The
open jaws emit the fierce roar which precedes the fatal spring and the
"ravening" on its prey. The next short strophe passes from enemies
around to paint inward feebleness. All vital force has melted away; the
very bones are dislocated, raging thirst has supervened. These are
capable of being construed as simply strong metaphors, parallels to
which may be found in other psalms; but it must not be left unnoticed
that they are accurate transcripts of the physical effects of
crucifixion. That torture killed by exhaustion, it stretched the body as
on a rack, it was attended with agonies of thirst. It requires
considerable courage to brush aside such coincidences as accidental, in
obedience to a theory of interpretation. But the picture is not
completed when the bodily sufferings are set forth. A mysterious
attribution of them all to God closes the strophe. "Thou hast brought me
to the dust of death." Then, it is God's hand that has laid all these on
him. No doubt this may be, and probably was in the psalmist's thought,
only a devout recognition of Providence working through calamities; but
the words receive full force only by being regarded as parallel with
those of Isa. liii. 10, "He hath put Him to grief." In like manner the
apostolic preaching regards Christ's murderers as God's instruments.
Public-domain text, read in full here on John Shaqi.
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