The Expositor's Bible: The Psalms, Vol. 1: Psalms I.-XXXVIII.Maclaren, Alexander
Religion
The Expositor's Bible: The Psalms, Vol. 1: Psalms I.-XXXVIII.
Maclaren, Alexander
Bible. Psalms -- Commentaries
Ewald's widely accepted view that this psalm is a composite of two
fragments rests on a somewhat exaggerated estimate of the differences
in tone and structure of the parts. These are obvious, but do not
demand the hypothesis of compilation; and the original author has as
good a right to be credited with the uniting thought as the supposed
editor has. The usually alleged occasion of the psalm fits its tone so
well and gives such appropriateness to some of its phrases that
stronger reasons than are forthcoming are required to negative it. The
account in 2 Sam. vi. tells of exuberant enthusiasm and joy, of which
some echo sounds in the psalm. It is a processional hymn, celebrating
Jehovah's entrance to His house; and that one event, apprehended on
its two sides, informs the whole. Hence the two halves have the same
interchange of question and answer, and the two questions correspond,
the one inquiring the character of the men who dare dwell with God,
the other the name of the God who dwells with men. The procession is
climbing the steep to the gates of the ancient Jebusite fortress,
recently won by David. As it climbs, the song proclaims Jehovah as the
universal Lord, basing the truth of His special dwelling in Zion upon
that of His world-wide rule. The question, so fitting the lips of the
climbers, is asked, possibly in solo, and the answer describing the
qualifications of true worshippers, and possibly choral (vv. 3-6), is
followed by a long-drawn musical interlude. Now the barred gates are
reached. A voice summons them to open. The guards within, or possibly
the gates themselves, endowed by the poet with consciousness and
speech, ask who thus demands entrance. The answer is a triumphant
shout from the procession. But the question is repeated, as if to
allow of the still fuller reiteration of Jehovah's name, which shakes
the grey walls; and then, with clang of trumpets and clash of cymbals,
the ancient portals creak open, and Jehovah "enters into His rest, He
and the ark of His strength."
Jehovah's dwelling on Zion did not mean His desertion of the rest of
the world, nor did His choice of Israel imply His abdication of rule
over, or withdrawal of blessings from, the nations. The light which
glorified the bare hilltop, where the Ark rested, was reflected thence
over all the world. "The glory" was there concentrated, not confined.
This psalm guards against all superstitious misconceptions, and
protests against national narrowness, in exactly the same way as Exod.
xix. 5 bases Israel's selection from among all peoples on the fact
that "all the earth is Mine."
Public-domain text, read in full here on John Shaqi.
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