The Expositor's Bible: The Psalms, Vol. 1: Psalms I.-XXXVIII.Maclaren, Alexander
Religion
The Expositor's Bible: The Psalms, Vol. 1: Psalms I.-XXXVIII.
Maclaren, Alexander
Bible. Psalms -- Commentaries
8 The voice of Jehovah shakes the wilderness;
Jehovah shakes the wilderness of Kadesh.
9 The voice of Jehovah makes the hinds calve, and strips the woods:
And in His palace every one is saying, Glory!
10 Jehovah sat enthroned for the Flood;
And Jehovah sits King for ever.
11 Jehovah will give strength to His people;
Jehovah will bless His people with peace.
The core of this psalm is the magnificent description of the
thunderstorm rolling over the whole length of the land. That picture
is framed by two verses of introduction and two of conclusion, which
are connected, inasmuch as the one deals with the "glory to God in the
highest" which is the echo of the tempest in angels' praises, and the
other with the "peace on earth" in which its thunders die away.
The invocation in vv. 1, 2, is addressed to angels, whatever may be
the exact rendering of the remarkable title by which they are summoned
in ver. 1. It is all but unique, and the only other instance of its
use (Psalm lxxxix. 6) establishes its meaning, since "holy ones" is
there given as synonymous in the verses preceding and following. The
most probable explanation of the peculiar phrase (B'ne Elim) is that
of Gesenius, Ewald, Delitzsch, and Riehm in his edition of Hupfeld's
Commentary: that it is a double plural, both members of the compound
phrase being inflected. Similarly "mighty men of valour" (1 Chron.
vii. 5) has the second noun in the plural. This seems more probable
than the rendering "sons of the gods." The psalmist summons these
lofty beings to "give" glory and strength to Jehovah, that is, to
ascribe to Him the attributes manifested in His acts, or, as ver. 2
puts it, "the glory of His name," _i.e._, belonging to His character
as thus revealed. The worship of earth is regarded as a type of that
of heaven, and as here, so there, they who bow before Him are to be
clothed in "holy attire." The thought underlying this ringing summons
is that even angels learn the character of God from the exhibitions of
His power in the Creation, and as they sang together for joy at first,
still attend its manifestations with adoration. The contrast of their
praise with the tumult and terror on earth, while the thunder growls
in the sky, is surely not unintended. It suggests the different
aspects of God's dread deeds as seen by them and by men, and carries a
tacit lesson true of all calamities and convulsions. The thunder-cloud
hangs boding in its piled blue blackness to those who from beneath
watch the slow crumbling away of its torn edges and the ominous
movements in its sullen heart or hear the crashes from its depths,
but, seen from above, it is transfigured by the light that falls on
its upper surface; and it stretches placid before the throne, like the
sea of glass mingled with fire. Whatever may be earth's terror,
heaven's echo of God's thunders is praise.
Public-domain text, read in full here on John Shaqi.
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