The Expositor's Bible: The Psalms, Vol. 1: Psalms I.-XXXVIII.Maclaren, Alexander
Religion
The Expositor's Bible: The Psalms, Vol. 1: Psalms I.-XXXVIII.
Maclaren, Alexander
Bible. Psalms -- Commentaries
tempest which does that is better than calm which beguiles from Him;
and, since all His storms are meant to "drive us to His breast," they
come from His "favour."
The approach to God is told in vv. 8-10, of which the two latter are a
quotation of the prayer then wrung from the psalmist. The ground of
this appeal for deliverance from a danger threatening life is as in
Hezekiah's prayer (Isa. xxxviii. 18, 19), and reflects the same
conception of the state of the dead as Psalm vi. 5. If the suppliant
dies, his voice will be missed from the chorus which sings God's
praise on earth. "The dust" (_i.e._, the grave) is a region of
silence. Here, where life yielded daily proofs of God's "truth"
(_i.e._, faithfulness), it could be extolled, but there dumb tongues
could bring Him no "profit" of praise. The boldness of the thought
that God is in some sense advantaged by men's magnifying of His
faithfulness, the cheerless gaze into the dark realm, and the
implication that to live is desired not only for the sake of life's
joys, but in order to show forth God's dealings, are all remarkable.
The tone of the prayer indicates the imperfect view of the future life
which shadows many psalms, and could only be completed by the
historical facts of the Resurrection and Ascension. Concern for the
honour of the Old Testament revelation may, in this matter, be
stretched to invalidate the distinctive glory of the New, which has
"brought life and immortality to light."
With quick transition, corresponding to the swiftness of the answer to
prayer, the closing pair of verses tells of the instantaneous change
which that answer wrought. As in the earlier metaphor weeping was
transformed into joy, here mourning is turned into dancing, and God's
hand unties the cord which loosely bound the sackcloth robe, and arrays
the mourner in festival attire. The same conception of the sweetness of
grateful praise to the ear of God which was presented in the prayer
recurs here, where the purpose of God's gifts is regarded as being man's
praise. The thought may be construed so as to be repulsive, but its true
force is to present God as desiring hearts' love and trust, and as
"seeking such to worship Him," because therein they will find supreme
and abiding bliss. "My glory," that wonderful personal being, which in
its lowest debasement retains glimmering reflections caught from God, is
never so truly glory as when it "sings praise to Thee," and never so
blessed as when, through a longer "for ever" than the psalmist saw
stretching before him, it "gives thanks unto Thee."
PSALM XXXI.
Public-domain text, read in full here on John Shaqi.
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