The Expositor's Bible: The Psalms, Vol. 1: Psalms I.-XXXVIII.Maclaren, Alexander
Religion
The Expositor's Bible: The Psalms, Vol. 1: Psalms I.-XXXVIII.
Maclaren, Alexander
Bible. Psalms -- Commentaries
But the psalmist is thinking rather of the varying complexion of his
days as bright or dark; and looking beyond circumstances, he sees God.
The "hand of mine enemies" seems shrivelled into impotence when
contrasted with that great hand, to which he has committed his spirit,
and in which are his "times"; and the psalmist's recognition that it
holds his destiny is the ground of his prayer for deliverance from the
foes' paralysed grasp. They who feel the tender clasp of an almighty
hand need not doubt their security from hostile assaults. The
petitions proper are three in number: for deliverance, for the light
of God's face, and for "salvation." The central petition recalls the
priestly blessing (Num. vi. 25). It asks for consciousness of God's
friendship and for the manifestation thereof in safety from present
dangers. That face, turned in love to a man, can "make a sunshine in a
shady place," and brings healing on its beams. It seems best to take
the verbs in vv. 17, 18, as futures and not optatives. The prayer
passes into assurance of its answer, and what was petition in ver. 1
is now trustful prediction: "I shall not be ashamed, for I cry to
Thee." With like elevation of faith, the psalmist foresees the end of
the whispering defamers round him: shame for their vain plots and
their silent descent to the silent land. The loudest outcry against
God's lovers will be hushed some day, and the hands that threatened
them will be laid motionless and stiff across motionless breasts. He
who stands by God and looks forward, can, by the light of that face,
see the end of much transient bluster, "with pride and contempt,"
against the righteous. Lying lips fall dumb; praying lips, like the
psalmist's, are opened to show forth God's praise. His prayer is
audible still across the centuries; the mutterings of his enemies only
live in his mention of them.
Public-domain text, read in full here on John Shaqi.
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