The Expositor's Bible: The Psalms, Vol. 1: Psalms I.-XXXVIII.Maclaren, Alexander
Religion
The Expositor's Bible: The Psalms, Vol. 1: Psalms I.-XXXVIII.
Maclaren, Alexander
Bible. Psalms -- Commentaries
The work of creation is set forth in vv. 6-9, as the effect of the
Divine word alone. The psalmist is fascinated not by the glories
created, but by the wonder of the process of creation. The Divine will
uttered itself, and the universe was. Of course the thought is parallel
with that of Genesis, "God said, Let there be ... and there was...." Nor
are we to antedate the Christian teaching of a personal Word of God, the
agent of creation. The old versions and interpreters, followed by
Cheyne, read "as in a bottle" for "as an heap," vocalising the text
differently from the present pointing; but there seems to be an allusion
to the wall of waters at the passage of the Red Sea, the same word being
used in Miriam's song; with "depths" in the next clause, there as here
(Exod. xv. 8). What is meant, however, here, is the separation of land
and water at first, and possibly the continuance of the same power
keeping them still apart, since the verbs in ver. 7 are participles,
which imply continued action. The image of "an heap" is probably due to
the same optical delusion which has coined the expression "the high
seas," since, to an eye looking seawards from the beach, the level
waters seem to rise as they recede; or it may merely express the
gathering together in a mass. Away out there, in that ocean of which the
Hebrews knew so little, were unplumbed depths in which, as in vast
storehouses, the abundance of the sea was shut up, and the ever-present
Word which made them at first was to them instead of bolts and bars.
Possibly the thought of the storehouses suggested that of the Flood when
these were opened, and that thought, crossing the psalmist's mind, led
to the exhortation in ver. 8 to fear Jehovah, which would more naturally
have followed ver. 9. The power displayed in creation is, however, a
sufficient ground for the summons to reverent obedience, and ver. 9 may
be but an emphatic repetition of the substance of the foregoing
description. It is eloquent in its brevity and juxtaposition of the
creative word and the created world. "It stood,"--"the word includes
much: first, the coming into being (_Entstehen_), then, the continued
subsistence (_Bestehen_), lastly, attendance (_Dastehen_) in readiness
for service" (Stier).
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account