The Expositor's Bible: The Psalms, Vol. 1: Psalms I.-XXXVIII.Maclaren, Alexander
Religion
The Expositor's Bible: The Psalms, Vol. 1: Psalms I.-XXXVIII.
Maclaren, Alexander
Bible. Psalms -- Commentaries
This whole section indicates a lawless condition in which open violence,
robbery, and murder were common. In Hosea's vigorous language, "blood
touched blood," the splashes being so numerous that they met, and the
land was red with them. There is no reason to suppose that the picture
is ideal or exaggerated. Where in the turbulent annals of Israel it is
to be placed must remain uncertain; but that it is a transcript of
bitter experience is obvious, and the aspect which it presents should be
kept in view as a corrective of the tendency to idealise the moral
condition of Israel, which at no time was free from dark stains, and
which offered only too many epochs of disorganisation in which the dark
picture of the psalm could have been photographed from life.
The phrases for the victims in this section are noteworthy: "the
innocent"; "the helpless"; "the poor." Of these the first and last are
frequent, and the meaning obvious. There is a doubt whether the last
should be regarded as the designation of outward condition or of
disposition, _i.e._ whether "meek" or "poor" is the idea. There are two
cognate words in Hebrew, one of which means one who is bowed down,
_i.e._ by outward troubles, and the other one who bows himself down,
_i.e._ is meek. The margin of the Hebrew Bible is fond of correcting
these words when they occur in the text and substituting the one for the
other, but arbitrarily; and it is doubtful whether in actual usage there
is any real distinction between them. "Helpless" is a word only found in
this psalm (vv. 8, 10, 14), which has received various explanations, but
is probably derived from a root meaning _to be black_, and hence comes
to mean _miserable_, _hapless_, or the like. All the designations refer
to a class--namely, the devout minority, the true Israel within
Israel--and hence the plurals in vv. 10, 12, and 17.
Public-domain text, read in full here on John Shaqi.
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