One brief verse, the brevity of which gives it emphasis, tells of the singer's fears, and of how he silences them by the dead lift of effort by which he constrains himself to trust. It is a strangely shallow view which finds a contradiction in this utterance, which all hearts, that have ever won calmness in agitation and security amid encompassing dangers by the same means, know to correspond to their own experience. If there is no fear, there is little trust. The two do co-exist. The eye that takes in only visible facts on the earthly level supplies the heart with abundant reasons for fear. But it rests with ourselves whether we shall yield to those, or whether, by lifting our eyes higher and fixing the vision on the Unseen and on Him who is invisible, we shall call such an ally to our side as shall make fear and doubt impossible. We have little power of directly controlling fear or any other feeling, but we can determine the objects on which we shall fix attention. If we choose to look at "man," we shall be unreasonable if we do not fear; if we choose to look at God, we shall be more unreasonable if we do not trust. The one antagonist of fear is faith. Trust is a voluntary action for which we are responsible. The frequent use of the phrase "In the day when" is noticeable. It occurs in each verse of the first part, excepting the refrain. The antagonists are continually at work, and the psalmist, on his part, strives to meet their machinations and to subdue his own fears with as continuous a faith. The phrase recurs in the second part in a similar connection. Thus, then, the situation as set forth in the first part has three elements,--the busy malice of the foes; the effort of the psalmist, his only weapon against them, to hold fast his confidence; and the power and majesty of God, who will be gracious when besought. The refrain gathers up these three in a significantly different order. The preceding verses arranged them thus--God, man, the trusting singer. The refrain puts them thus--God, the trusting singer, man. When the close union between a soul and God is clearly seen and inwardly felt, the importance of the enemies dwindles. When faith is in the act of springing up, God, the refuge, and man, the source of apprehension, stand over against each other, and the suppliant, looking on both, draws near to God. But when faith has fruited, the believing soul is coupled so closely to the Divine Object of its faith, that He and it are contemplated as joined in blessed reciprocity of protection and trust, and enemies are in an outer region, where they cannot disturb its intercourse with its God. The order of thought in the refrain is also striking. First, the singer praises God's word. By God's gracious help he knows that he will receive the fulfilment of God's promises (not necessarily any special "word," such as the promise of a throne to David). And then, on the experience of God's faithfulness thus won, is reared a further