The Expositor's Bible: The Psalms, Vol. 2: Psalms XXXIX.-LXXXIX.Maclaren, Alexander
Religion
The Expositor's Bible: The Psalms, Vol. 2: Psalms XXXIX.-LXXXIX.
Maclaren, Alexander
Bible. Psalms -- Commentaries
This psalm resembles the preceding in the singer's circumstances of
peril and in his bold faith. It has also points of contact in the cry,
"Be gracious," and in the remarkable expression for enemies, "Those
that would swallow me up." It has also several features in common with
the other psalms ascribed by the superscriptions to the time of the
Sauline persecution. Like Psalm vii. are the metaphor of _lions_ for
enemies, that of _digging a pit_ for their plots, the use of _glory_
as a synonym for soul. The difficult word rendered "destructions" in
ver. 1 connects this psalm with Psalm lv. 11, dated as belonging to
the time of Saul's hostility, and with Psalms v. 9 and xxxviii. 12,
both traditionally Davidic. There is nothing in the psalm against the
attribution of it to David in the cave, whether of Adullam or Engedi,
and the allusions to lying down among lions may possibly have been
suggested by the wild beasts prowling round the psalmist's shelter.
The use in ver. 1 of the picturesque word for taking refuge derives
special appropriateness from the circumstances of the fugitive, over
whose else defenceless head the sides of his cave arched themselves
like great wings, beneath which he lay safe, though the growls of
beasts of prey echoed round. But there is no need to seek for further
certainty as to the occasion of the psalm. Baethgen thinks that it can
only have been composed after "the annihilation of the independence
of the Israelite state," because the vow in ver. 9 to make God's name
known among the nations can only be the utterance of the oppressed
congregation, which is sure of deliverance, because it is conscious
of its Divine call to sing God's praise to heathens. But that vow is
equally explicable on the assumption that the individual singer was
conscious of such a call.
There is no very sharp division of parts in the psalm. A grand refrain
separates it into two portions, in the former of which prayer for
deliverance and contemplation of dangers prevail, while in the latter
the foe is beheld as already baffled, and exuberant praise is poured
forth and vowed.
As in Psalm liv. and often, the first part begins with an act of faith
reaching out to God, and strengthening itself by the contemplation of
His character and acts. That energy of confidence wins assurance of
help, and only after that calming certitude has filled the soul does
the psalmist turn his eye directly on his enemies. His faith does not
make him oblivious of his danger, but it minimises his dread. An eye
that has seen God sees little terror in the most terrible things.
Public-domain text, read in full here on John Shaqi.
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