The Expositor's Bible: The Psalms, Vol. 2: Psalms XXXIX.-LXXXIX.Maclaren, Alexander
Religion
The Expositor's Bible: The Psalms, Vol. 2: Psalms XXXIX.-LXXXIX.
Maclaren, Alexander
Bible. Psalms -- Commentaries
16 Come, hearken, and I will recount, all ye that fear God,
What He has done for my soul.
17 To Him did I cry with my mouth,
And a song extolling [Him] was [already] under my tongue.
18 If I had intended iniquity in my heart,
The Lord would not hear:
19 But surely God has heard,
He has attended to the voice of my prayer.
20 Blessed be God,
Who has not turned away my prayer, nor His loving-kindness from
me.
The most striking feature of this psalm is the transition from the
plural "we" and "our," in vv. 1-12, to the singular "I" and "my,"
in vv. 13-20. Ewald supposes that two independent psalms have been
united, but ver. 12 is as abrupt for an ending as ver. 13 is for a
beginning; and the "Come, hear," of ver. 16 echoes the "Come, and
see," of ver. 5. It is possible that "the 'I' of the second part
is identical with the 'we' of the first; in other words, that the
personified community speaks here" (Baethgen); but the supposition
that the psalm was meant for public worship, and is composed of a
choral and a solo part, accounts for the change of number. Such
expressions as "my soul" and "my heart" favour the individual
reference. Of course, the deliverance magnified by the single voice is
the same as that celebrated by the loud acclaim of many tongues; but
there is a different note in the praise of the former--there is a tone
of inwardness in it, befitting individual appropriation of general
blessings. To this highest point, that of the action of the single
soul in taking the deliverances of the community for its very own,
and pouring out its own praise, the psalm steadily climbs. It begins
with the widest outlook over "all the earth," summoned to ring forth
joyous praise. It ends focussed to one burning point, in a heart fired
by the thought that God "has not turned away his loving-kindness from
_me_." So we learn how each single soul has to claim its several part
in world-wide blessings, as each flower-calyx absorbs the sunshine
that floods the pastures.
The psalm has no superscription of date or author, and no clue in its
language to the particular deliverance that called it forth. The usual
variety of conjectures have been hazarded. The defeat of Sennacherib
occurs to some; the return from Babylon to others; the Maccabean
period to yet another school of critics. It belongs to a period when
Israel's world-significance and mission were recognised (which Cheyne
considers a post-exilic feature, "Orig. of Psalt.," 176), and when the
sacrificial worship was in full force; but beyond these there are no
clear data for period of composition.
Public-domain text, read in full here on John Shaqi.
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