The Expositor's Bible: The Psalms, Vol. 2: Psalms XXXIX.-LXXXIX.Maclaren, Alexander
Religion
The Expositor's Bible: The Psalms, Vol. 2: Psalms XXXIX.-LXXXIX.
Maclaren, Alexander
Bible. Psalms -- Commentaries
Olshausen, followed by Cheyne, regards the psalm as made up of two
fragments (vv. 1-5 _a_, and 5 _c_-16). But surely the exhortations
and promises of the latter portion are most relevant to the summons to
the festival contained in the former part, and there could be no more
natural way of preparing for the right commemoration of the deliverance
than to draw out its lessons of obedience and to warn against departure
from the delivering God. Definiteness as to date is unattainable. The
presupposed existence of the full Temple ceremonial shows that the psalm
was not written in exile, nor at a time of religious persecution. Its
warning against idolatry would be needless in a post-exilic psalm, as
no tendency thereto existed after the return from captivity. But beyond
such general indications we cannot go. The theory that the psalm is
composed of two fragments exaggerates the difference between the two
parts into which it falls. These are the summons to the feast (vv. 1-5),
and the lessons of the feast (vv. 6-16).
Delitzsch suggests that the summons in ver. 1 is addressed to the
whole congregation; that in ver. 2 to the Levites, the appointed
singers and musicians; and that in ver. 3 to the priests who are
intrusted with blowing the Shophar, or horn (Josh. vi. 4, and 2 Chron.
xx. 28). One can almost hear the tumult of joyful sounds, in which the
roar of the multitude, the high-pitched notes of singers, the deeper
clash of timbrels, the twanging of stringed instruments, and the
hoarse blare of rams' horns, mingle in concordant discord, grateful
to Eastern ears, however unmusical to ours. The religion of Israel
allowed and required exuberant joy. It sternly rejected painting and
sculpture, but abundantly employed music, the most ethereal of the
arts, which stirs emotions and longings too delicate and deep for
speech. Whatever differences in form have necessarily attended the
progress from the worship of the Temple to that of the Church, the
free play of joyful emotion should mark the latter even more than the
former. Decorum is good, but not if purchased by the loss of ringing
gladness. The psalmist's summons has a meaning still.
Public-domain text, read in full here on John Shaqi.
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