The Expositor's Bible: The Psalms, Vol. 2: Psalms XXXIX.-LXXXIX.Maclaren, Alexander
Religion
The Expositor's Bible: The Psalms, Vol. 2: Psalms XXXIX.-LXXXIX.
Maclaren, Alexander
Bible. Psalms -- Commentaries
9 [Thou], our shield, behold, O God,
And look upon the face of Thine anointed.
10 For better is a day in Thy courts than a thousand,
Rather would I lie on the threshold in the house of my God,
Than dwell in the tents of wickedness.
11 For Jehovah God is sun and shield,
Grace and glory Jehovah gives,
No good does He deny to them that walk in integrity.
12 Jehovah of hosts,
Blessed the man that trusts in Thee!
The same longing for and delight in the sanctuary which found pathetic
expression in Psalms xlii., xliii., inspire this psalm. Like these,
it is ascribed in the superscription to the Korachites, whose office
of door-keepers in the Temple seems alluded to in ver. 10. To infer,
however, identity of authorship from similarity of tone is hazardous.
The differences are as obvious as the resemblances. As Cheyne well
says, "the notes of the singer of Psalms xlii., xliii., are here
transposed into a different key. It is still 'Te saluto, te suspiro,'
but no longer 'De longinquo te saluto' (to quote Hildebert)." The
longings after God and the sanctuary, in the first part of the
psalm, do not necessarily imply exile from the latter, for they may
be felt when we are nearest to Him, and are, in fact, an element in
that nearness. It is profitless to inquire what were the singer's
circumstances. He expresses the perennial emotions of devout souls,
and his words are as enduring and as universal as the aspirations
which they so perfectly express. No doubt the psalm identifies
enjoyment of God's presence with the worship of the visible sanctuary
more closely than we have to do, but the true object of its longing
is God, and so long as spirit is tied to body the most spiritual
worship will be tied to form. The psalm may serve as a warning against
premature attempts to dispense with outward aids to inward communion.
Public-domain text, read in full here on John Shaqi.
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