The Expositor's Bible: The Psalms, Vol. 3: Psalms XC.-CL.Maclaren, Alexander
Religion
The Expositor's Bible: The Psalms, Vol. 3: Psalms XC.-CL.
Maclaren, Alexander
Bible. Psalms -- Commentaries
In vv. 1, 2, the slighting glance at the land left by the ransomed
people is striking. The Egyptians are to this singer "a stammering
people," talking a language which sounded to him barely articulate.
The word carries a similar contempt to that in the Greek "barbarian,"
which imitates the unmeaning babble of a foreign tongue. To such
insignificance in the psalmist's mind had the once dreaded oppressors
sunk! The great fact about the Exodus was that it was the birthday of
the Nation, the beginning of its entrance on its high prerogatives.
If the consecration of Judah as "His sanctuary" took place when
Israel went forth from Egypt, there can be no reference to the later
erection of the material sanctuary in Jerusalem, and the names of
Judah and Israel must both apply to the people, not to the land,
which it would be an anachronism to introduce here. That deliverance
from Egypt was in order to God's dwelling in Israel, and thereby
sanctifying or setting it apart to Himself, "a kingdom of priests
and an holy nation." Dwelling in the midst of them, He wrought
wonders for them, as the psalm goes on to hymn; but this is the grand
foundation fact, that Israel was brought out of bondage to be God's
temple and kingdom. The higher deliverance of which that Exodus is
a foreshadowing is, in like manner, intended to effect a still more
wonderful and intimate indwelling of God in His Church. Redeemed
humanity is meant to be God's temple and realm.
The historical substratum for vv. 3, 4, is the twin miracles of
drying up the Red Sea and the Jordan, which began and closed the
Exodus, and the "quaking" of Sinai at the Theophany accompanying the
giving of the Law. These physical facts are imaginatively conceived
as the effects of panic produced by some dread vision; and the
psalmist heightens his representation by leaving unnamed the sight
which dried the sea, and shook the steadfast granite cliffs. In
the third pair of verses he changes his point of view from that of
narrator to that of a wondering spectator, and asks what terrible
thing, unseen by him, strikes such awe? All is silent now, and the
wonders long since past. The sea rolls its waters again over the
place where Pharaoh's host lie. Jordan rushes down its steep valley
as of old, the savage peaks of Sinai know no tremors;--but these
momentary wonders proclaimed an eternal truth.
Public-domain text, read in full here on John Shaqi.
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