The prayer in vv. 1, 2, beautifully blends profound consciousness of demerit and confidence that, unworthy as Israel is, its welfare is inextricably interwoven with Jehovah's honour. It goes very deep into the logic of supplication, even though the thing desired is but deliverance from human foes. Men win their pleas with God, when they sue _in formâ pauperis_. There must be thorough abnegation of all claims based on self, before there can be faithful urging of the one prevalent motive, God's care for His own fair fame. The under side of faith is self-distrust, the upper side is affiance on Jehovah. God has given pledges for His future by His past acts of self-revelation, and cannot but be true to His Name. His lovingkindness is no transient mood, but rests on the solid basis of His faithfulness, like flowers rooted in the clefts of a rock. The taunts that had tortured another psalmist long before (Psalm xlii. 3) have been flung now from heathen lips, with still more bitterness, and call for Jehovah's thunderous answer. If Israel goes down before its foes, the heathen will have warrant to scoff. But, from their bitter tongues and his own fears, the singer turns, in the name of the sorely harassed congregation, to ring out the proclamation which answers the heathen taunt, before God answers it by deeds. "Our God is in heaven"--that is where He is; and He is not too far away to make His hand felt on earth. He is no impotent image; He does what He wills, executing to the last tittle His purposes; and conversely, He wills what He does, being constrained by no outward force, but drawing the determinations of His actions from the depths of His being. Therefore, whatever evil has befallen Israel is not a sign that it has lost Him, but a proof that He is near. The brief, pregnant assertion of God's omnipotence and sovereign freedom, which should tame the heathens' arrogance and teach the meaning of Israel's disasters, is set in eloquent opposition to the fiery indignation which dashes off the sarcastic picture of an idol. The tone of the description is like that of the manufacture of an image in Isa. xliv. 9-20. Psalm cxxxv. 15-18 repeats it verbatim. The vehemence of scorn in these verses suggests a previous, compelled familiarity with idolatry such as the exiles had. It corresponds with the revolution which that familiarity produced, by extirpating for ever the former hankering after the gods of the nations. No doubt, there are higher weapons than sarcasm; and, no doubt, a Babylonian wise man could have drawn distinctions between the deity and its image, but such cobwebs are too fine-spun for rough fingers to handle, and the idolatry both of pagans and of Christians identifies the two.