In the final verse, the psalmist recurs to his favourite antithesis of external toil and repose in the home, the two halves of the pilgrim life for every man; and while thus, in the first clause of the verse, he includes all varieties of circumstance, in the second he looks on into a future of which he does not see the bounds, and triumphs over all possible foes that may lurk in its dim recesses, in the assurance that, however far it may extend, and whatever strange conditions it may hide, the Keeper will be there, and all will be well. Whether or not he looked to the last "going out," our exodus from earth (Luke ix. 31; 2 Peter i. 15), or to that abundant entrance (2 Peter i. 11) into the true home which crowns the pilgrimage here, we cannot but read into his indefinite words their largest meaning, and rejoice that we have One who "is able to keep that which we have committed to Him against that day." PSALM CXXII. 1 I rejoiced when they said to me, To the house of Jehovah let us go. 2 Standing are our feet In thy gates, Jerusalem. 3 Jerusalem that art built [again] As a city that is compact together. 4 Whither went up the tribes, the tribes of Jah, --[According to] the precept for Israel-- To give thanks to the name of Jehovah. 5 For there were set thrones of judgment, Thrones for the house of David. 6 Pray for the peace of Jerusalem; Prosperous be they who love thee! 7 Be peace within thy bulwark, Prosperity within thy palaces. 8 Because of my brethren and my companions' sake Let me now wish thee peace. 9 Because of the house of Jehovah our God Let me now seek thy good. This is very distinctly a pilgrim psalm. But there is difficulty in determining the singer's precise point of view, arising from the possibility of understanding the phrase in ver. 2, "are standing," as meaning either "are" or "were standing" or "have stood." If it is taken as a present tense, the psalm begins by recalling the joy with which the pilgrims began their march, and in ver. 2 rejoices in reaching the goal. Then, in vv. 3, 4, 5 the psalmist paints the sight of the city which gladdened the gazers' eyes, remembers ancient glories when Jerusalem was the rallying-point for united worship and the seat of the Davidic monarchy, and finally pours out patriotic exhortations to love Jerusalem and prayers for her peace and prosperity. This seems the most natural construing of the psalm. If, on the other hand, ver. 2 refers to a past time, "the poet, now again returning home or actually returned, remembers the whole pilgrimage from its beginning onwards." This is possible; but the warmth of emotion in the exclamation in ver. 3 is more appropriate to the moment of rapturous realisation of a long-sought joy than to the paler remembrance of it.