The description is eminently poetical. First, there is a vivid picture of his troubles. "The waves of death compassed me, and the floods of ungodly men made me afraid; the sorrows of hell compassed me; the snares of death prevented me" ("The cords of death compassed me, and the floods of ungodliness made me afraid; the cords of sheol were round about me; the snares of death came upon me," R.V.). It is no overcharged picture. With Saul's javelins flying at his head in the palace, or his best troops scouring the wilderness in search of him; with Syrian hosts bearing down on him like the waves of the sea, and a confederacy of nations conspiring to swallow him up, he might well speak of the waves of death and the cords of Hades. He evidently desires to describe the extremest peril and distress that can be conceived, a situation where the help of man is vain indeed. Then, after a brief account of his calling upon God, comes a most animated description of God coming to his help. The description is ideal, but it gives a vivid view how the Divine energy is roused when any of God's children are in distress. It is in heaven as in an earthly home when an alarm is given that one of the little children is in danger, has wandered away into a thicket where he has lost his way: every servant is summoned, every passer-by is called to the rescue, the whole neighbourhood is roused to the most strenuous efforts; so when the cry reached heaven that David was in trouble, the earthquake and the lightning and all the other messengers of heaven were sent out to his aid; nay, these were not enough; God Himself flew, riding on a cherub, yea, He did fly upon the wings of the wind. Faith saw God bestirring Himself for his deliverance, as if every agency of nature had been set in motion on his behalf.