The Expositor's Bible: The Song of Solomon and the Lamentations of JeremiahAdeney, Walter F. (Walter Frederic)
Religion
The Expositor's Bible: The Song of Solomon and the Lamentations of Jeremiah
Adeney, Walter F. (Walter Frederic)
Bible. Lamentations -- Commentaries; Bible. Song of Solomon -- Commentaries
These truths, however, are not readily perceived at the time of
endurance, when the iron is entering into the soul. The elegist feels
the degradations of his people most keenly, and he represents them
complaining how their enemies rage at them as with open
mouths--belching forth gross insults, shouting curses, like wild
beasts ready to devour their hapless victims.[215] There seems to be
nothing in store for them but the terrors of death, the pit of
destruction.[216]
[215] iii. 46.
[216] iii. 47.
At the contemplation of this extremity of hopeless misery the poet
drops the plural number, in which he has been personating his people,
as abruptly as he assumed it a few verses earlier, and bewails the
dread calamities in his own person.[217] Then, in truly Jeremiah-like
fashion, he describes his incessant weeping for the woes of the
wretched citizens of Jerusalem and the surrounding villages. The
reference to "the daughters of my city"[218] seems to be best
explained as a figurative expression for the neighbouring places, all
of which it would seem had shared in the devastation produced by the
great wave of conquest which had overwhelmed the capital. But the
previous mention of "the daughter of my people,"[219] followed as it
is by this phrase about "the daughters of my city," strikes a deeper
note of compassion. These places contained many defenceless women, the
indescribable cruelty of whose fate when they fell into the hands of
the brutal heathen soldiery was one of the worst features of the whole
ghastly scene; and the wretchedness of the once proud city and its
dependencies when they were completely overthrown is finely
represented so as to appeal most effectually to our sympathy by a
metaphor that pictures them as hapless maidens, touching us like
Spenser's piteous picture of the forlorn Una, deserted in the forest
and left a prey to its savage denizens. Like Una, too, the daughters
in this metaphor claim the chivalry which our English poet has so
exquisitely portrayed as awakened even in the breast of a wild animal.
The woman of Europe is far removed from her sister in the East, who
still follows the ancient type in submitting to the imputation of
weakness as a claim for consideration. But this is because Europe has
learnt that strength of character--in which woman can be at least the
equal of man--is more potent in a community civilised in the Christian
way than strength of muscle. Where the more brutal forces are let
loose the duties of chivalry are always in requisition. Then it is
apparent that deference to the claims of women for protection produces
a civilising effect in softening the roughness of men. It is difficult
to say it to-day in the teeth of the just claims that women are
making, and still more difficult in face of what women are now
achieving, in spite of many relics of barbarism in the form of unfair
restrictions, but yet it must be asserted that the feebleness of
Public-domain text, read in full here on John Shaqi.
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