The passage concludes with a reflection on the general character of this dreadful condition of Israel.[241] It must be closely connected with the sins of the people. The drift of the context would lead us to judge that the poet does not mean to compare the guilt of Jerusalem with that of Sodom, but rather the fate of the two cities. The punishment of Israel is greater than that of Sodom. But this is punishment; and the odious comparison would not be made unless the sin had been of the blackest dye. Thus in this elegy the calamities of Jerusalem are again traced back to the ill-doings of her people. The awful fate of the cities of the plain stands out in the ancient narrative as the exceptional punishment of exceptional wickedness. But now in the race for a first place in the history of doom Jerusalem has broken the record. Even Sodom has been eclipsed in the headlong course by the city once most favoured by heaven. It seems well nigh impossible. What could be worse than total destruction by fire from heaven? The elegist considers that there are two points in the fate of Jerusalem that confer a gloomy pre-eminence in misery. The doom of Sodom was sudden, and man had no hand in it but Jerusalem fell into the hands of man--a calamity which David judged to be worse than falling into the hands of God; and she had to endure a long, lingering agony. [241] iv. 6. Passing on to the consideration of the parallel section, we see that the author follows the same lines, though with considerable freshness of treatment. Still directing especial attention to the tremendous change in the fortunes of the aristocracy, he begins again by describing the splendour of their earlier state. This had been advertised to all eyes by the very complexion of their countenances. Unlike the toilers who were necessarily bronzed by working under a southern sun, these delicately nurtured persons had been able to preserve fair skins in the shady seclusion of their cool palaces, so that in the hyperbole of the poem they could be described as "purer than snow" and "whiter than milk."[242] Yet they had no sickly pallor. Their health had been well attended to; so that they were also ruddy as "corals," while their dark hair[243] glistened "like sapphires." But now see them! Their faces are "darker than blackness."[244] We need not enquire after a literal explanation of an expression which is in harmony with the extravagance of Oriental language, although doubtless exposure to the weather, and the grime and smoke of the scenes these children of luxury had passed through, must have had a considerable effect on their effeminate countenances. The language here is evidently figurative. So it is throughout the passage. The whole aspect of the lives and fortunes of these delicately nurtured lordlings has been reversed. They tell their story by the gloom of their countenances and by the shrivelled appearance of their bodies. They can no longer be recognised in the streets, so