The Expositor's Bible: The Song of Solomon and the Lamentations of JeremiahAdeney, Walter F. (Walter Frederic)
Religion
The Expositor's Bible: The Song of Solomon and the Lamentations of Jeremiah
Adeney, Walter F. (Walter Frederic)
Bible. Lamentations -- Commentaries; Bible. Song of Solomon -- Commentaries
But unhappily the fall of the pampered youth of Jerusalem was not
confined to a reversal of external fortune. The elegist has been
careful to point out that the miseries they endured were the
punishments of their sins. Then there had been an earlier and much
greater collapse. Before any foreign enemy had appeared at her gates
the city had succumbed to a fatal foe bred within her own walls.
Luxury had undermined the vigour of the wealthy; vice had blackened
the beauty of the young. There is a fine gold of character which will
be sullied beyond recognition when the foul vapours of the pit are
permitted to break out upon it. The magnificence of Solomon's temple
is poor and superficial in comparison with the beauty of young souls
endowed with intellectual and moral gifts, like jewels of rarest
worth. Man is not treated in the Bible as a paltry creature. Was he
not made in the image of God? Jesus would not have us despise our own
native worth. Hope and faith come from a lofty view of human nature
and its possibilities. Souls are not swine; and therefore by all the
measure of their superiority to swine souls are worth saving. The
shame and sorrow of sin lie just in this fact, that it is so foul a
degradation of so fair a thing as human nature. Here is the contrast
that heightens the tragedy of lost souls. But then we may add, in its
reversal this same contrast magnifies the glory of redemption--from so
deep a pit does Christ bring back His ransomed, to so great a height
does He raise them!
CHAPTER XIX
_LEPERS_
iv. 13-16
Passing from the fate of the princes to that of the prophets and
priests, we come upon a vividly dramatic scene in the streets of
Jerusalem amid the terror and confusion that precede the final act of
the national tragedy. The doom of the city is attributed to the crimes
of her religious leaders, whose true characters are now laid bare. The
citizens shrink from the guilty men with the loathing felt for lepers,
and shriek to them to depart, calling them unclean, and warning them
not to touch any one by the way, because there is blood upon them.
Dreading the awful treatment measured out to the victims of lynch-law,
they stagger through the streets in a state of bewilderment, and
stumble like blind men. Fugitives and vagabonds, with the mark of Cain
upon them, driven out at the gates by the impatient mob, they can find
no refuge even in foreign lands, for none of the nations will receive
them.
We do not know whether the poet is here describing actual events, or
whether this is an imaginary picture designed to express his own
feelings with regard to the persons concerned. The situation is
perfectly natural, and what is narrated may very well have happened
just as it is described. But if it is not history it is still a
revelation of character, a representation of what the writer knows to
be the conduct of the moral lepers, and their deserts; and as such it
is most suggestive.
Public-domain text, read in full here on John Shaqi.
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