The Expositor's Bible: The Song of Solomon and the Lamentations of JeremiahAdeney, Walter F. (Walter Frederic)
Religion
The Expositor's Bible: The Song of Solomon and the Lamentations of Jeremiah
Adeney, Walter F. (Walter Frederic)
Bible. Lamentations -- Commentaries; Bible. Song of Solomon -- Commentaries
The keynote of the fifth elegy is struck in its opening verse when the
poet calls upon God to remember the _reproach_ that has been cast upon
His people. The preceding poems dwelt on the sufferings of the Jews;
here the predominant thought is that of the humiliations to which they
have been subjected. The shame of Israel and the sin which had brought
it on are now set forth with point and force. If, as some think, the
literary grace of the earlier compositions is not fully sustained in
the last chapter of Lamentations--although in parts of it the feeling
and imagination and art all touch the high-water mark--it cannot be
disputed that the spiritual tone of this elegy indicates an advance on
the four earlier poems. We have sometimes met with wild complaints,
fierce recriminations, deep and terrible curses that seem to require
some apology if they are to be justified. Nothing of the kind ruffles
the course of this faultless meditation. There is not a single jarring
note from beginning to end, not one phrase calling for explanation by
reference to the limited ideas of Old Testament times or to the
passion excited by cruelty, insult, and tyranny, not a line that reads
painfully even in the clear light of the teachings of Jesus Christ.
The vilest outrages are deplored; and yet, strange to say, no word of
vindictiveness towards the perpetrators escapes the lips of the
mourning patriot! How is this? The sin of the people has been
confessed before as the source of all their misery; but since with it
shame is now associated as the principal item in their affliction, we
can see in this fresh development a decided advance towards higher
views of the whole position.
May we not take this characteristic of the concluding chapter of the
Book of Lamentations to be an indication of progress in the spiritual
experience of its author? Perhaps it is to be partially explained by
the fact that the poem throughout consists of a prayer addressed
directly to God. The wildest, darkest passions of the soul cannot live
in the atmosphere of prayer. When men say of the persecutor, "Behold
he prayeth," it is certain that he cannot any longer be "breathing
threatening and slaughter." Even the feelings of the persecuted must
be calmed in the presence of God. The serenity of the surroundings of
the mercy-seat cannot but communicate itself to the feverish soul of
the suppliant. To draw near to God is to escape from the tumults of
earth and breathe the still, pure air of heaven. He is Himself so calm
and strong, so completely sufficient for every emergency, that we
begin to enter into His rest as soon as we approach His presence. All
unawares, perhaps unsought, the peace of God steals into the heart of
the man who brings his troubles to his Father in prayer.
Public-domain text, read in full here on John Shaqi.
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