The elegy takes a turn at the eleventh verse. Up to this point it describes the state of the people generally in their sufferings from the siege and its consequences. But now the poet directs attention to separate classes of people and the different forms of cruelty to which they are severally subjected in a series of intensely vivid pictures. We see the awful fate of matrons and maidens, princes and elders, young men and children. Women are subjected to the vilest abuse, neither reverence for motherhood nor pity for innocence affording the least protection. Men of royal blood and noble birth are killed and their corpses hung up in ignominy--perhaps impaled or crucified in accordance with the vile Babylonian custom. There is no respect for age or office. Neither is there any mercy for youth. In the East grinding is women's work; but, like Samson among the Philistines, the young men of the Jews are put in charge of the mills. The poet seems to indicate that they have to carry the heavy mill-stones in the march of the returning army with the spoils of the sacked city. The children are set to the slave task of Gibeonites. The Hebrew word here translated _children_ might stand for young people who had reached adult years.[284] But in the present case the condition is that of immature strength, for the burden of wood they are required to bear is too heavy for them and they stumble under it. This is the scene--outrage for the girls and women, slaughter for the leading men, harsh slavery for the children. [284] v. 13. Next, passing from these exact details, the poet again describes the condition of the people more generally, and this time under the image of an interrupted feast, which is introduced by one more reference to the changes that have come upon certain classes. The elders are no longer to be seen at the gate administering the primitive forms of law entrusted to them. The young men are no longer to be heard performing on their musical instruments.[285] Still speaking for the people, the poet declares that the joy of their heart has ceased. Then the aspect of all life must be changed to them. Instead of the gay pictures of dancers in their revelry we have the waiting of mourners. The guest at a feast would be crowned with a garland of flowers. Such was once the appearance of Jerusalem in her merry festivities. But now the garland has fallen from her head.[286] [285] v. 14. [286] v. 15, 16.