The Expositor's Bible: The Song of Solomon and the Lamentations of JeremiahAdeney, Walter F. (Walter Frederic)
Religion
The Expositor's Bible: The Song of Solomon and the Lamentations of Jeremiah
Adeney, Walter F. (Walter Frederic)
Bible. Lamentations -- Commentaries; Bible. Song of Solomon -- Commentaries
or again the very long line,
"It is of the Lord's mercies that we are not consumed--because His
compassions fail not."[88]
[87] i. 6.
[88] iii. 22.
Now although this is only a structural feature it points to inferences
of deeper significance. It shews that the Hebrew poets paid special
attention to the elegy as a species of verse to be treated apart, and
therefore that they attached a peculiar significance to the ideas and
feelings it expresses. The ease with which the transition to the
elegiac form of verse is made whenever an occasion for using it occurs
is a hint that this must have been familiar to the Jews. Possibly it
was in common use at funerals in the dirge. We meet with an early
specimen of this verse in Amos, when, just after announcing that he is
about to utter a _lamentation_ over the house of Israel, the herdsman
of Tekoa breaks into elegiacs with the words,
"The virgin daughter of Israel is fallen--she shall no more rise:
She is cast down upon her land--there is none to raise her up."[89]
[89] Amos v. 2.
Similarly constructed elegiac pieces are scattered over the Old
Testament scriptures from the eighth century B.C. onwards. Several
illustrations of this peculiar kind of metre are to be found in the
Psalms. It is employed ironically with terrible effect in the Book of
Isaiah, where the mock lament over the death of the king of Babylon is
constructed in the form of a true elegy. When the prophet made a
sudden transition from his normal style to sombre funereal measures
his purpose would be at once recognised, for his words would sound
like the tolling bell and the muffled drums that announce the march
of death; and yet it would be known that this solemn pomp was not
really a demonstration of mourning or a symbol of respect, but only
the pageantry of scorn and hatred and vengeance. The sarcasm would
strike home with the more force since it fell on men's ears in the
heavy, lingering lines of the elegy, as the exultant patriot
exclaimed,
"How hath the oppressor ceased--the golden city ceased!
The Lord hath broken the staff of the wicked--the sceptre of the
rulers," etc.[90]
[90] Isa. xiv. 4 _ff._
Public-domain text, read in full here on John Shaqi.
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