The Expositor's Bible: The Song of Solomon and the Lamentations of JeremiahAdeney, Walter F. (Walter Frederic)
Religion
The Expositor's Bible: The Song of Solomon and the Lamentations of Jeremiah
Adeney, Walter F. (Walter Frederic)
Bible. Lamentations -- Commentaries; Bible. Song of Solomon -- Commentaries
As he approaches the city, the poet is struck with a strange, sad
sight. There are no people about the gates; yet here, if anywhere, we
should expect to meet not only travellers passing through, but also
groups of men, merchants at their traffic, arbitrators settling
disputes, friends exchanging confidences, idlers lounging about and
chewing the cud of the latest gossip, beggars winning for alms; for by
the gates are markets, _al fresco_ tribunals, open spaces for public
meetings. Formerly the life of the city was here concentrated; now no
trace of life is to be seen even at these social ganglia. The
desertion and silence of the gateways gives a shock of distress to the
visitor on entering the ruined city. More disappointments await him
within the walls. Still keeping in mind the idea of the national
festivals, and accompanying the course of them in imagination, the
poet goes up to the temple. No services are proceeding; any priests
who may be found still haunting the precincts of the charred ruins can
only sigh over their enforced idleness; the girl-choristers whose
voices would ring through the porticoes in the old times, are silent
and desolate, for their mother, Jerusalem, is herself "in bitterness."
In this part of the elegy our attention is directed to the cessation
of the happy national assemblies with their accompaniment of public
worship in songs of praise for harvest and vintage and in the awful
symbolism of the altar. The name "Zion" was associated with two
things, festivity and worship. It was a happy privilege for Israel to
have had the inspired insight as well as the courage of faith to
realise the conjunction. Even with the fuller light and larger liberty
of Christianity it is rarely acknowledged among us. Our services have
too much of the funeral dirge about them. The devout Israelite
reserved his dirge for the death of his worship. It does not seem to
have occurred to the poet that anybody could come to regard worship as
an irksome duty from which he would gladly be liberated. Are we, then,
to suppose that the Israelites who practised the crude cult that was
prevalent before the Exile, even among the true servants of Jehovah,
were indeed more devout than Christians who enjoy the privileges of
their richer revelation? Scarcely so; for it must be remembered that
we are called to a more spiritual and therefore a more difficult
worship. Inward sincerity is here of supreme importance; if this is
missing there is no worship, and without it the miserable unreality
becomes inexpressibly wearisome. No doubt it is the failure to reach
the rare altitude of its lofty ideal that makes Christian worship to
appear in the eyes of many to be a melancholy performance. But this
explanation should not be permitted to obscure the fact that true,
living, spiritual worship must be a very delightful exercise of the
soul. Perhaps one reason why this truth is not sufficiently
appreciated may be found in the very facility with which the outward
Public-domain text, read in full here on John Shaqi.
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