The immediate effect of this vision of sin is that a new colour is given to the picture of the desolation of Jerusalem. The image of a miserable woman is preserved, but the dignity of the earlier scene is missing here. Pathos and poetry gather round the picture of the forlorn widow weeping for the loss of her children. Neglected and humbled as she is in worldly estate, the tragic vastness of her sorrow has exalted her to an altitude of moral sublimity. Such suffering breaks through those barriers of conventional experience which make many lives look mean and trivial. It is so awful that we cannot but regard it with reverence. But all this is altered in the aspect of Jerusalem which follows the confession of her great sin. In the freedom of ancient language the poet ventures on an illustration that would be regarded as too gross for modern literature. The limits of our art exclude subjects which excite a sensation of disgust; but this is just the sensation the author of the elegy deliberately aims at producing. He paints a picture which is simply intended to sicken his readers. The utter humiliation of Jerusalem is exhibited in the unavoidable exposure of a condition which natural modesty would conceal at any cost. Another contrast between the reserve of our modern style and the rude bluntness of antiquity is here apparent. It is not only that we have grown more refined in language--a very superficial change which might be no better than the whitewashing of sepulchres; over and above this civilising of mere manners, the effect of Teutonic habits, strengthened by Christian sentiments, has been to develop a respect for woman undreamed of in the old Eastern world. It may be added that the scientific temper of recent times has taught us that there is nothing really dishonouring in purely natural processes. The ancient world could not distinguish between delicacy and shame. We should regard a poor suffering woman whose modesty had been grievously wounded with simple commiseration; the ancient Jews treated such a person with disgust as an unclean creature, quite unable to see that their conduct was simply brutal.