The first is _spoliation_. Her enemies have laid hands on "all her pleasant things." It may strike us that, after the miseries just narrated, this is but a minor trouble. Job's calamities began with the loss of his property, and rose from this by degrees to the climax of agony. If his first trouble had been the sudden death of all his children, stunned by that awful blow, he would have cared little about the fate of his flocks and herds. It is not according to the method of the Lamentations, however, to move on to any climax. The thoughts are set forth as they well up in the mind of the poet, now passionate and intense, then again of a milder cast, yet altogether combining to colour one picture of intolerable woe. But there is an aspect of this idea of the robbery of the "pleasant things" which heightens the sense of misery. It is another instance of the force of contrast so often manifested in these elegies. Jerusalem had been a home of wealth and luxury in the merry old days. But hoarded money, precious jewellery, family heirlooms, products of art and skill, accumulated during generations of prosperity and treated as necessaries of life--all had been swept away in the sack of the city, and scattered among strangers who could not prize them as they had been prized by their owners; and now these victims of spoliation, stripped of everything, were in want of daily bread. Even what little could be saved from the wreck they had to give up in exchange for common food, bought dearly in the market of necessity.