The Expositor's Bible: The Song of Solomon and the Lamentations of JeremiahAdeney, Walter F. (Walter Frederic)
Religion
The Expositor's Bible: The Song of Solomon and the Lamentations of Jeremiah
Adeney, Walter F. (Walter Frederic)
Bible. Lamentations -- Commentaries; Bible. Song of Solomon -- Commentaries
If the shepherd's cot is contrasted with the temple and the ark
because of its simplicity, the fortress may be contrasted with this
defenceless hut because of its strength. Yet even the strongholds have
been thrown down. More than this, the action of the Jews' army has
been paralysed by the God who had been its strength and support in the
glorious olden time. It is as though the right hand of the warrior had
been seized from behind and drawn back at the moment when it was
raised to strike a blow for deliverance. The consequence is that the
flower of the army, "all that were pleasant to the eye,"[137] are
slain. Israel herself is swallowed up, while her palaces and
fortresses are demolished.
[137] ii. 4.
The climax of this mystery of Divine destruction is reached when God
destroys His own temple. The elegist returns to the dreadful subject
as though fascinated by the terror of it. God has violently taken away
His tabernacle.[138] The old historic name of the sanctuary of Israel
recurs at this crisis of ruin; and it is particularly appropriate to
the image which follows, an image which possibly it suggested. If we
are to understand the metaphor of the sixth verse as it is rendered in
the English Authorised and Revised Versions, we have to suppose a
reference to some such booth of boughs as people were accustomed to
put up for their shelter during the vintage, and which would be
removed as soon as it had served its temporary purpose. The solid
temple buildings had been swept away as easily as though they were
just such flimsy structures, as though they had been "of a garden."
But we can read the text more literally, and still find good sense in
it. According to the strict translation of the original, God is said
to have violently taken away His tabernacle "as a garden." At the
siege of a city the fruit gardens that encircle it are the first
victims of the destroyer's axe. Lying out beyond the walls they are
entirely unprotected, while the impediments they offer to the
movements of troops and instruments of war induce the commander to
order their early demolition. Thus Titus had the trees cleared from
the Mount of Olives, so that one of the first incidents in the Roman
siege of Jerusalem must have been the destruction of the Garden of
Gethsemane. Now the poet compares the ease with which the great,
massive temple--itself a powerful fortress, and enclosed within the
city walls--was demolished, with the simple process of scouring the
outlying gardens. So the place of assembly disappears, and with it
the assembly itself, so that even the sacred Sabbath is passed over
and forgotten. Then the two heads of the nation--the king, its civil
ruler, and the priest, its ecclesiastical chief--are both despised in
the indignation of God's anger.
[138] ii. 6.
Public-domain text, read in full here on John Shaqi.
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