"There's Thompson's and Jackman's and Mrs. Horton's," Judy reminded
him, her eyes shining like polished door-knobs.
"Too wrong to matter," decided Uncle Felix. "They're always slow or
fast."
"Then there's the kitchen clock," Tim mentioned; "the grandfather
thing."
Uncle Felix reflected a moment. His reply was satisfactory and
conclusive:
"I'll go down to-night," he explained in a low voice, "when the
servants are in bed. I'll take the weights off."
Judy and Tim appreciated the seriousness of the occasion more than ever.
"Into Mrs. Horton's kitchen?" they whispered.
"Into Mrs. Horton's kitchen," he agreed, beneath his breath.
Maria, meanwhile, said nothing. Her eyes kept open very wide, but no
audible remark got past her lips. She paid no attention to the singing
nor to the whispered conversation; she ate an enormous tea, finishing
up all the cakes that the others neglected in their excitement and
preoccupation; but she appeared as calm and unconcerned as the tea-cosy
that concealed the heated, stimulating teapot beneath it. She looked
more circular and globular than ever. Even the knowledge that this was
the eve of her own particular adventure did not rouse her. Her
expression seemed to say, "I never _have_ believed in Time; at the
centre where _I_ live, clocks and calendars are not recognised"; and
later, when Judy blew the candle out and asked as usual, "Are you all
right, Maria?" her reply came floating across the darkened room without
the smallest alteration in tone or accent: "I'm alright." The stopped
alarum-clock was underneath her pillow; Uncle Felix had tucked them up,
each in turn; everything was all right. She fell asleep, the others
fell asleep, Time also fell asleep.
And above the Old Mill House that warm June night the darkness kept the
secret faithfully, yet offered little signs and hints to those who did
not sleep too heavily. The feeling that something or somebody was
coming hung in the very air; there was a gentle haze beneath the stars;
and a breeze that passed softly through the lime trees dropped
semi-articulate warnings. There were curious, faint echoes flying
between the walls and the Wood without a Centre; the daisies heard them
and opened half an eyelid; the Night-Wind whispered and sighed as it
bore them to and fro. Maria's question entered the dream of the entire
garden: "Why not? Why not? Why not?"
Public-domain text, read in full here on John Shaqi.
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