He listened. The night was very still. The stars, like a shower of
golden rain arrested in full flight, paused in a flock and looked at
him, but in so deliberate a way that he was conscious of being looked
at. It was rather a delightful sensation, he thought; never before had
they seemed so intimate, so interested in his life. He was aware that a
friendly relationship existed between him and those far, bright,
twinkling eyes. "Hm" he murmured softly once again, then heard a sound
of wings rush whirring past his face, and next a chattering of birds
somewhere overhead among the heavy eaves. "So I'm not the only one
awake," he thought, and, for some odd reason, felt rather pleased about
it. "Sounds like swallows. I wonder!"
But he saw no movement anywhere; no wind stirred the ivy on the wall,
the limes were motionless, the earth asleep. Even the stream beyond the
laurel shrubberies ran silently. Dimly he made out the garden lying at
attention, the flower-beds like folded hands upon its breast; and
further off, the big untidy elms in pools of deeper shadow, their
outlines blurred as dreams blur the mind. Yet, though he could detect
no slightest movement, he was keenly aware that other things beside the
stars were looking at him. The night was full of carefully-screened
eyes, all fixed upon him. Framed in the lighted window, he was so
easily visible. Night herself, calm and majestic, gazed down upon him
through wide-open lids that filled the entire sky. He felt the
intentness of her steadfast gaze, and paused. He stopped. It seemed
that everything stopped too. So striking, indeed, was the sensation,
that he gave expression to it half aloud:
"It's slowing up," he murmured, "stopping!... I do believe! Hm!..."
There was no answer this time, no sign of echo anywhere, but he heard
an owl calling its muffled note from the Wood without a Centre.
"It's probably seen me too," he thought, and then it also stopped.
He waited a moment, hoping it would begin again, for he loved the
atmosphere of childhood that the sound invoked in him. But the flutey
call was not repeated. He drew his head in, closed and bolted the
window, fastened the shutters carefully and pulled the curtains over;
then he extinguished the lamps, lit his candle, and moved out softly
into the hall on his way upstairs. And for the first time in his life
he felt that in shutting the window he had not shut the beauty out. The
beauty of that watching, listening night had not gone away from him by
closing down the shutters. It was not lost. It stopped there. This
novel realisation was very queer and very exquisite. Regret did not
operate.
Public-domain text, read in full here on John Shaqi.
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