He rubbed his eyes and started. "That's the clock in Mrs. Horton's
kitchen," he tried to say, but the words had an empty and ridiculous
sound, as if there was no meaning in them. They flew about him in the
air like little butterflies trying to settle. They settled on one
meaning, only to flit elsewhere the next minute and settle on another
meaning. They could mean anything and everything. They did mean
everything. They meant _one_ thing. Finally they settled back into his
heart. And their meaning caught him by the throat in a most delicious
way. The air was full of tiny fluttering wings; he heard pattering feet
and little voices; hair tied with coloured ribbons brushed his cheeks;
and laughing, mischievous eyes like stars floated loose about the
ceiling. The Kitchen Spell grew mighty--irresistible... rising over him
out of a timeless Long Ago.
From the direction of the ghostly towel-horse it seemed to come. But
beyond the towel-horse was the window, and beyond the window lay the
open fields, and beyond the fields lay miles and miles of country
asleep beneath the stars; and this country stretched without a break
right up to the lonely wolds of distant Yorkshire where an old grey
house contained another kitchen, silent and deserted in the night. All
the empty kitchens of England were at this moment in league together,
but this old Yorkshire kitchen was the parent of them all--and thence
the Spell first issued. It was his own childhood kitchen.
And Uncle Felix travelled backwards against the machinery of Time that
cheats the majority so easily with its convention of moving hands and
ticking voice and bullying, staring visage. He slid swiftly down the
long banister-descent of years and reached in a flash that old sombre
Yorkshire kitchen, and stood, four-foot nothing, face smudged and
fingers sticky, beside the big deal table with the dying embers in the
grate upon his right. His heart was beating. He could just reach the
juicy cake without standing on a chair. He ate the very slice that he
had eaten forty years ago. It _was_ possible to have your cake and eat
it too!...
He gulped it down and sucked the five fingers of each hand in
turn--then turned to attack the staring monster that had tried to make
him believe it was impossible. He crossed the stone floor on tiptoe,
but with challenge in his heart, looked straight into its humbugging
big face, opened its carefully buttoned jacket--and took off the
weights.
"Hm!" he murmured, with complacent satisfaction that included victory,
"I've stopped you!"
There was a curious, long-drawn sound as the machinery ran down; the
chains quivered, then hung motionless. There was disaster in the sound,
but laughter too--the laughter of the culprit caught in the act,
unmasked, exposed at last. "But I've had a good time these last hundred
years," he seemed to hear, with the obvious answer this insolence
suggested: "Caught! You're It!"--in a tone that was not wholly unlike
Maria's.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account