THE STRANGER WHO IS WONDER
II
And Uncle Felix moved forward into the pool of sunlight that blazed
upon the faded carpet pattern. It was composed of round, fat trees,
this pattern, with birds like goblin peacocks flying in mid-air between
them. The sunshine somehow lifted them, so that they floated upon the
quivering atmosphere; the pattern seemed to hover between him and the
carpet. And he too felt himself lifted--in mid-air--part of the day and
sunshine.
He closed his eyes; he tried to realise who and where he was; all he
could remember, however, went into a single sentence and kept repeating
itself on the waves of his singing, dancing blood: "Clock's stopped,
clock's stopped,--stopped clocks, stopped clocks...!" till it sounded
like a puzzle sentence--then lost all meaning.
He sat down in a chair, but the chair was next to the "empty" one, and
from it something poured into him, over him, round him, as wind pours
about a bird or tree. He became enveloped by it; his mind began to
rush, yet rushed in a circle, so that he never entirely lost sight of
it. Another set of words replaced the first ones: "Behind Time, behind
Time," jostling on each other's heels, tearing round and round like a
Catherine Wheel, shining and dancing as they spun.
He opened his eyes and looked about him. The room was full of wonder.
It glistened, sparkled, shone. A million things, screened hitherto from
sight by thick clouds of rushing minutes, paused and offered
themselves; things that were commonplace before stood still, revealed
in startling glory. They no longer raced past at headlong speed.
Visible at last, unmasked, they showed themselves as they really were,
in naked beauty. This beauty settled on everything in golden rain, it
settled on himself as well. All that his eyes rested on
looked--distinguished....
And, like snow-flakes, words and thoughts came thickly crowding, like
flakes of fire too. He snatched at them, caught them in bunches, tried
to sort them into sentences. They were everywhere about him, showering
down as from a box of cardboard letters overturned in the sky. The
reality he sought hid among them as a whole--he knew that--but no mere
sequence of words and letters could quite capture this reality.
He plunged his hands among the flying symbols....
In a flash a number of things--an enormous number of things--became
extraordinarily clear and simple; they became one single thing. Then,
while reason and vision still fluttered to and fro, like a pair of
butterflies, first one and then the other leading, he dashed in between
them. He seized handfuls of the flying letters and made the queerest
sentences out of them, longer and faster-moving than the first ones.
Public-domain text, read in full here on John Shaqi.
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