The extraordinary confessions of Diana PleaseCapes, Bernard
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The extraordinary confessions of Diana Please
Capes, Bernard
Femmes fatales -- Fiction; France -- Fiction; Historical fiction; Naples (Kingdom) -- Fiction; Women -- Fiction
“Ha!” he said; “there you speak. And stap me if I love you the less
for it.”
He took a turn or two, and came back grinning.
“They’re damn clever, Di: there, I’ll admit they’re damn clever! But
’tis a perilous game you play, my girl; and you’ll do well to take
care you play it to none but your own interests.”
He went off again, and returned.
“Harkee!” he said; “there’s Beltower’s whelp, and--and I don’t care a
fig for your predilections. Work your oracle as you will; only be
faithful to me, and you won’t suffer for’t in the end.”
He finished in such spirits that he was moved to show me a letter he
had received from his sister but a few days before. In it she
upbraided him for his treachery,--of which she only recently had
certain information--in converting his capture of me to such infamous
account; and called upon him, as he valued his soul, to turn his
Jezebel adrift again to her merited deserts.
“_Enfin_,” I said, handing him back the effusion, “for a respectable
lady she shows a vigorous vocabulary. She writes in London, I see.”
He chuckled like a demon.
“She writes in hell, and bites the more viciously for her roasting.
’Tis that fellow has led her here, dancing after some new fancy of
his; and, by God, she’s paid for her stubbornness, and must vent her
spite on someone.”
“Well,” I said, “tell her so from me; and that, for my part, I’d
rather be Jezebel than what came to lap her blood.”
At which he neighed, vowing he’d take me at my word.
XXII.
I RUN ACROSS AN OLD FRIEND
It has always been my fate to suffer most at the hands of my best
friends; and now it was to be my dearest, my little sister, who was to
shoot her arrow over the house and wound me. In innocence, Heaven
forgive her; and, in forgiving, answer to itself for making me the
unconscious instrument of its retribution.
It was in the third year of my “minority,” and while in the full zest
of my conspiracy with young Roper, that one night we made up a party
for Vauxhall Gardens, and crossed from Whitehall Stairs--very merry
with French horns and lanterns and a little Roman boy, Ugolino, who
sang like an angel--to witness the new picture of a tempest in the
cascade house. This we had seen, and were gone for supper into one of
the boxes (which Bob called the loose boxes) in a retired corner of
the grove, when occurred the _contretemps_ which was to change the
whole face of my fortunes. I had observed, without marking them, a
couple enter the adjoining booth, and was bawling my part in a catch,
while waiting for the chickens and cheesecakes, when a fellow put his
head round the partition, and, kissing his dirty hand with a leer,
“Beg pardon, leddies,” says he, “but I can supplement that ’ere chaunt
with a better”--and immediately, disappearing from sight, began to
bang the table beyond and to roar out a filthy ballad.
Roper leapt to his feet--there was a crowd lingering by, attracted by
our merriment--and ran round to the front.
Public-domain text, read in full here on John Shaqi.
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